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Remakes of classichorror moviesare so common that they have become something of an expected tradition within the music genre . However , a handful of repugnance films are so influential and sacred that , to this day , it would be a fool ’s errand to reelect to them . Not only does the panic attack factor of these movies still hold up , but their styles and techniques have already been copied countless times since their expiration , rendering a remaking utterly pointless and excess .
Even before the current Hollywood course of revisit old holding , horror has come to calculate at its past in decree to update its stories to ponder contemporary fears . There was a undulation of repulsion remaking , particularly in the 1980s , that redefined the limit of the conception with storytelling ideas and filmmaking styles that became arguably more influential than the original versions . These films recontextualized 1950s Cold War anxieties to suit innovative issues , while also contribute a goodish dose of particular effects . The Thing , The Fly , andThe Blobremakes have all become classic in their own right , and are arguably ofsuperior tone to their predecessors .
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Despite this potential , though , remakes have still retained a pitiful track record . Whereas the successful I have introduced new construct and analyzed the original sources with a fresh position , the less memorable remakes are merely interested in either say the same story or introducing unnecessary details regarding backstories . The injection - by - shaft 1998remake ofPsycho , for example , is notorious for copying the same television camera techniques as Hitchcock ’s classic without add anything innovational . On the other manus , the 2010 version ofA Nightmare on Elm Streetleft audiences gross out withFreddy ’s new penchantfor small fry molestation .
Remakes of Classic Horror Movies Are Unnecessary
The most successful horror flick are the most innovative ; they are the ones that create horror elements and premise story social organization that inspire later filmmakers . No one has ever assay to remakeAlienorJaws , nor should they , but the estimation of an unseen creature hunt its human quarry is so often repeated that the films have essentially been remade already . The Exorcistis so iconic that a recreation would come across as a put-on , and Stanley Kubrick ’s groundbreaking camerawork inThe Shininghas become a staple of repulsion filmmaking to the current day . These type of films are so influential that to revisit them would be superfluous .
On the other hand , the most beloved remakes are unity that introduce blade new ideas while still observe reverence for the original flick . John Carpenter was such a buff ofThe matter From Another Worldthat he was hesitant to harness a remaking , buthis version ofThe Thingis laud for its assimilating alien that created stifling paranoia . Filmmakers who can identify the most efficaciously scary piece of a particular piece of study lean to breach new originative land . David Cronenberg recognize thatThe Flypresents a compelling story about the loss of human identity , butRob Zombie’sHalloweenremake made the villain too charitable . He did n’t translate how Michael Myers is more unsettling when the interview knows less about his story .
There are still plenty of lesser - known revulsion movies that wouldbenefit from a remaking , but ultimately the classics should remain untouched . It ’s ironic that remakes so often reduplicate tropes that were begin by the flick they are trying to replicate . For instance , The Omenhelped popularise the " creepy-crawly kid " , which was a timeworn cliche by the time the 2006 remake come . Retreading sure-enough , hallowed undercoat often leads to repeat vulgar fault that the source material forefend . The genre is always building on preceding custom , but the most exciting breakthroughs in modernhorror moviesare because of bluff , original choices .
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