Director Paco Plaza ’s 2017 supernatural repulsion filmVerónicafollows the titular teenage girl as she front   tragical   consequences   after using a ouija board to connect with the dead . When   a séance takes a distressing tour and a evil emotional state latch onto   Verónica , she must protect herself and her kin   from the paranormal forcefulness .

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As stated at the end of the film , the events are loosely establish on a case in   Vallecas , Madrid during which Estefanía Gutierrez Lázaro and her family experienced increasingly violent paranormal acts following Estefanía ’s encounter with aouija boardat school .   Plaza clarify that his film is not an attempt to portray the real events as there is no certain way to know what   Estefanía get in the   months   before her untimely destruction . WhileVerónicais a work of fiction , it does take over facts from the 1991 Vallecas compositor’s case , which many devouring followers still conjecture about today .   While Plaza ’s picture show was heavily barrack by the Vallecas case , there are several key departure between the veridical typeface and its adjustment .

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What Verónica Gets Right About The True Story

How Verónica Is Different From The True Story

Plaza ’s filmfollows   the tangible accountof the séance tight , but alters the upshot slightly   for his horror film tale , opting to show   Verónica being cut by the ouija   glass at the moment   of an occultation , her origin drip onto the circuit board before she lets out a demonic shriek . The dramatic elements certify the film as a work of fiction stemming from the now infamous case . Plaza’a film ends with a suggestion that the extrasensory menace cover following Verónica ’s death , but does not venture any further . The real   write up of the   Lázaro family offers an account of the occurrences suggest to by the director , adding more terror to an already perturbing narrative . While in   a comatose state , Estefanía snuff it mysteriously at the infirmary overnight , but her   crime syndicate say the paranormal activity compound after her death .

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Estefanía ’s mother describes   room access slamming shut , representative echoing , and shadowy figures similar to those   her daughter   had claimed to see prior to her death . When called in to look into the home , police report finger drastic drops in temperature , hearing whispering voices , and seeing claw mark on a rampart where a rood hung   prior to it being discovered on the trading floor . None of the events stick with   the end were included in Plaza ’s film and , while   Estefanía ’s family was heavily concerned with her conduct and health during the supposed will power ,   the conductor   chose to focus mainly on   Verónica and the pain and panic she endure   internally , her   stress increasing as she tries to hide the events from her mother .

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By taking fancied liberties with the very veridical and tragic   death of   Estefanía Gutierrez Lázaro inVerónica , Plaza is capable to bring the story to fall without disrespecting the actual events of the haunting and mysterious eccentric .

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