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Robert Pattinson will take on the role of the Dark Knight in Matt Reeves’The Batman , which depend set to turn the whacky aspect of the unrecorded - action movies into something much more awesome . DC FanDome has revealed a slew of new information about forthcoming DC film , covering everything fromWonder Woman 1984to Zack Snyder’sJustice League . But perhaps the big control board of the Clarence Shepard Day Jr. focused on Matt Reeves’The Batman . The long - awaited reboot focuses on RobertPattinson ’s younger Batman – who looks clearly dissimilar from premature movie versions – as he voyage the second twelvemonth of his crime - struggle career . And now , fans have been provided with the first trailer for the motion-picture show .
The laggard teases Reeves ' crime thriller take on the iconic hero , which is , according to the theater director only a fourth of the way shoot . Beginning with a murder and some cryptic messages pull up stakes for the Dark Knight , which are certain to have been left by Paul Dano ’s Riddler , the trailer also provide glimpse of Zoe Kravitz ’s Catwoman and Colin Farrell ’s Penguin . Alongside the poke , DC releaseda set of three new images fromThe Batman , which show Pattinson ’s Bruce Wayne in various locations from the film .
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The images appear to be screenshots from the footage used in the laggard , with one show Pattinson ’s Wayne in what looks to be his version of the Batcave , while another is a shot from the trailer in which some nefarious game play out at a church . But the third image is perhaps the most challenging , picture Bruce Wayne after taking of the famous Bat - cowl . The image is a finis - up of Pattinson ’s typeface , which is streak with center makeup – presumptively after he ’s just returned from a night of crime - combat . The eye make-up has been a staple fibre of thelive - action Batmanfilms since Tim Burton ’s 1989 effort , Batman , and Reeves front to have brought it back for his take on the Dark Knight in a much more telling form .
Up until now , the eye makeup has n’t been address by any of the Batman moving picture , despite every on - filmdom Batman making utilization of it . Back in 1992’shorror - influencedBatman Returns , there ’s a well - hump successiveness towards the end of the film where Michael Keaton ’s Batman is demand to pull his mask off , and just before he does so , the oculus makeup mysteriously disappears from the shot , seduce for a jarring change to Batman ’s aspect . As such , this small item which has been a part of every live - action mechanism bat suit is really a important part of Batman ’s on - screen looking . And inThe Batman , Pattinson , and Reeves seem to be using this antecedently unaddressed component to large force .
In the picture , Pattinson ’s Bruce Waynelooks unlike any other version of the character audience have yet assure . Clearly battle - worn and experience a tense moment , Wayne occupy on a clearly mediaeval look in this snap fromThe Batman . In fact , the character seen in the prototype would n’t be out of place in a Tim Burton film , which hopefully means Reeves and co. have carried over a humble part of the gothic sensitiveness that work so well in those former Burton moving picture . The smudged oculus make-up also shew up in another abbreviated shot in the trailer where it seems as though Bruce Wayne relies on it as a disguise prior to bewilder his cowl . All of which hint at the more grounded , low - tech take on Batman that Reeves has said he ’s aiming for .
The Batmanhas already been confirmed as survive in a separate movie cosmos , which mean Reeves was free to create all original environment in which his pic could play out . In his Fandome interview , the music director dally up his desire to make a narrative that seems as though it could have pass in realness . mark up this ground take on Gotham provides the consummate setting for Pattinson ’s Dark Knight to care about practical concerns such as center makeup – all of which sounds a tad trivial but when it looks this goodness , fans are certain to be proud of .
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