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It ’s a sundry bag when comedic histrion and dramatic thespian try their helping hand at each other ’s swop . striking actors who appear in comedy commonly determine thatbeing funny is harder than it seems , while comedic thespian have a difficult time getting audiences to take them seriously . Both kinds of acting require an exclusively different skillset , but a smattering of truly gifted performing artist have mastered them both .
Sometimes , a comedic worker yield a dramatic performance will miscarry miserably and learn to stay in their lane . Other times , they ’ll storm audience everywhere with a brawny turn . Here are the best and worst dramatic performance by comedic actor .
Best: Adam Sandler As Barry Egan In Punch-Drunk Love
Althoughhis drollery have been very slay - and - miss , Adam Sandler isa surprisingly ordered spectacular actor . He delivered wonderful turns in Noah Baumbach ’s soulful kin dramaThe Meyerowitz Storiesandthe Safdie brother ’ two - hour anxiousness attackUncut Gems , but his hunky-dory dramatic turn of events is still in Paul Thomas Anderson’sPunch - Drunk Love .
Barry Egan is not a traditional romantic lead — quite the opposite , in reality , as he suffers from serious emotional issues — but Sandler plays him as quintessentially human .
Worst: Seth Rogen As Steve Wozniak In Steve Jobs
Seth Rogen has give audiencesplenty of hilarious drollery , but his first foray into dramatic playing , recreate Steve Wozniak in Danny Boyle’sSteve Jobs , was n’t a huge success . While fellow comics like Robin Williams and Adam Sandler successfully shed their comedic part to embody their dramatic case , it was hard to see Wozniak and not just see Rogen .
It does n’t help oneself that he was surrounded by nuanced turning by such gifted dramatic actors as Michael Fassbender , Kate Winslet , and Michael Stuhlbarg , who all vanish into their roles .
Best: Melissa McCarthy As Lee Israel In Can You Ever Forgive Me?
After being nominated for the Academy Award for Best hold Actress forher lead - fashioning , prospect - slip turn inBridesmaids , Melissa McCarthy receive a more - than - deserved Best Actress nod forCan You Ever Forgive Me ? , a biopic based on the sprightliness of Lee Israel , who forged letters by idle writer to make a quick Pearl Buck .
McCarthy trance Israel ’s moral complexity utterly , bring a sympathetic angle to an almost unsympathetic character .
Worst: Owen Wilson As Jack Dwyer In No Escape
Although Owen Wilson has delivered interesting dramatic acting inBehind Enemy Lines , Wonder , andMarley & Me(not to mentiona turn of Wes Anderson rolesthat skirt the line between clowning and tragedy , like his character inThe Darjeeling Limited ) , his endeavour at an action - orient carrying out was a rent - down .
It did n’t help that the hand forNo Escapewas a generic slog full of one - dimensional characters — including the one Wilson act — but the doer did n’t do his thin drawn role any favor .
Best: Bill Murray As Bob Harris In Lost In Translation
Serdica Coppola relentlessly pursue Bill Murray for a twelvemonth , as she ’d written the role of faded movie star topology Bob Harris inLost in Translationspecifically for him and did n’t consider anyone else could pull it off quite as well .
When Murray go for the offer , he did n’t let down . This performance localise the leg for his latter - twenty-four hour period vocation , explore the melancholy side of his biting comedic part as age characters in bittersweet movies by auteur like Wes Anderson and Jim Jarmusch .
Worst: Amy Schumer As Amanda Doster In Thank You For Your Service
Jason Hall ’s directorial debutThank You for Your Servicetackles a very important issue — soldiers who endure from post - traumatic tenseness after returning from war — and for the most part , it research its discipline in a powerful , deeply appealing manner .
A lot of the cast members give hunky-dory performances , including Miles Teller and Haley Bennett , but one actor who adhere out is comedian Amy Schumer , giving her first ( and hopefully last ) jambon - fisted dramatic functioning .
Best: Jamie Foxx As Ray Charles In Ray
The deepness of Jamie Foxx ’s talent is unfathomable . He ’s a big musician , a gravid comedian , and a slap-up actor , which he ’s proved with many performances , but none more than his Oscar - winning portrayal of Ray Charles in the biopicRay .
Foxx played three decades of Charles ’ lifetime and peg every single scene . Unlike most actors who portray musicians , Foxx comes nigh to capturing the singular good luck charm and vigor of the real Ray Charles .
Worst: Dane Cook As Ryan In Answers To Nothing
A movie with comparatively no plot likeAnswers to Nothing , which revolves around a group of characters aimlessly wandering around in search of answers to aliveness ’s question , postulate seriously nuanced actors to fetch its character to life and keep its audience engaged .
Anyone who has had the bad luck of watching Dane Cook ’s stand - up could suspect that he does not have that involve nuance . And anyone who has had the tough luck of watchingAnswers to Nothingwould have those suspicions confirmed .
Best: Robin Williams As Sean Maguire In Good Will Hunting
“ It ’s not your fault … ” The late , neat Robin Williams more than earned his Oscar for playing Sean Maguire inGood Will Hunting . The theatrical role was only written so that a Hollywood A - Baron Lister could be attached to a picture star then - unknowns Matt Damon and Ben Affleck , butWilliams competently stole the show .
Williams is one of the greatest improvisers in the account of comedy , and he masterfully transfer those science to drama inGood Will Hunting , advertizement - libbing some of the film ’s most powerful dialogue .
Worst: Mike Myers As Steve Rubell In 54
Years before he would pay homage to the long - gone years of disco music with the thirdAustin Powersmovie ’s Goldmember character , Mike Myers give his first ( and , for almost a decade , only ) striking performance in the role of Steve Rubell in54 , a highly fictionalized dramatization of the Studio 54 nightspot ’s flower .
Myers ’ carrying out was one of the few confirming short letter in some critic ’ reviews , but that ’s only because the rest of the motion-picture show — particularly its disjoint use of esthetic license — is just that bad .
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