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Afteracquiring Lucasfilm , Disney announced that on top of aStar Warssequel trilogy , it would be releasing spin - offs under the “ Anthology ” standard , stories that would take spot outside the mainline saga . This was a tantalizing prognosis , especially when the first offering was harbinger asRogue One , the tale of the Rebellion ’s pre - A New Hopestruggle to slip the Death Star plans .
Effectively , Rogue Onewas a heist movie set in theStar Warsuniverse and , on paper , that sound incredibly exciting . As it stands , Rogue Oneis one ofthe Mouse House ’s best contributions to theStar Warspantheon , but it ’s not without its faults .
Right: Darth Vader
powerful off the squash racket , Rogue Onenails its portrayal of Darth Vader . The most obvious example is the last tantrum in the hall , as the Rebel troops fly the coop with the Death Star architectural plan are effortlessly mow down by the sinister Sith Lord .
The movie premise fans to Vader ’s awe-inspiring palace on Mustafar , while the scenes in which he towers over Director Krennic raise that he has n’t lost an Panthera uncia of the panic he hadwhen he first exhibit onto the screenland in 1977 .
Wrong: One-Dimensional Characters
While the lineament in theStar Warssequel trilogy were all interesting and unique butaimless in their arc , the characters inRogue Onewere all thinly draw , one - dimensional stock fictitious character seemingly tear from an onlineStar Warscharacter generator .
Cassian Andor is a diehard Rebel and a wizard rogue , the same eccentric fans have find out in a million otherStar Warsstories . Jyn Erso ’s offense are explain in expounding , blatantly ignoring the “ show , do n’t tell ” rule of storytelling . The characterization is razor - thin .
Right: Fan Service
Fan service can sometimes do off as pimp , but inRogue One , it work wonders — specially in an historic period where a stack ofStar Warsmedia fundamentally misconceive the franchise .
Rogue Oneis a moving picture that was made with the fans in mind . It was n’t watered down for a broad audience ; it was made forStar Warsfans , with inactive viewers having to play collar - up .
Wrong: Large Scale
Disney might have had to make a $ 200 millionStar Warstentpole to stay shareholders , but one inquire if the “ Anthology ” standard would ’ve been more effective if it had been used for modest - musical scale , lower - budget fare . Rogue Onehas an epic scale , jump off from satellite to major planet , with the account involving the daughter of the guy who project the Death Star . None of this was necessary .
A relatively intimate $ 50 - 100 million movie about a band of Rebel spies spearhead the alignment ’s first major victory against the Empire would ’ve been great . Rogue Oneis too big for its own good .
Right: K-2SO
Every piece ofStar Warsmedia — even the most despised — can be counted on for some lovable droids . The most iconic will always be the ones who start it all , R2 - D2 and C-3PO , but there are plenty of smashing ones , likeBB-8 from the subsequence trilogy .
Courtesy of a hysterically dry amusing performance by Alan Tudyk , Rogue Onegave fans another beloved droid character reference : K-2SO , a reprogrammed Imperial enforcer droid .
Wrong: Resurrecting Peter Cushing
Although actor Guy Henry does a fine motion - capture Peter Cushing printing and ILM ’s digital artists provided top - of - the - range de - ageing impression , Rogue One ’s digital resurrection of Grand Moff Tarkin did n’t cultivate . Outside of the refutable moral implications , it slips into the uncanny valley and it ’s distracting .
It might ’ve been able-bodied to work if Tarkin just appeared for a little cameo , like young Princess Leia ’s one - discussion appearance at the ending , but he take up an entire subplot and it ’s impossible to see past the creepy effect .
Right: Surprisingly Dark Ending
As a Disney - mounted holiday tentpole point at children with the potential difference to get down a franchise within a franchise , Rogue Onewas of course expect to trifle it secure . No one went into the picture show with the arithmetic mean that all the major characters introduced in the first act would die in the third .
Since the template for a blockbuster is pretty rigid at this tip , it ’s hard for a giving - budget studio apartment movie to really surprise audiences , but the morose ending in which a Death Star examination pass over out the entireRogue Oneensemble was truly jaw - dropping .
Wrong: Disjointed Storytelling
This might be a result of the Disney - mandated reshoots that led to all the cool shot from the house trailer not really appear in the motion picture , but the storytelling inRogue Oneis all over the place . The second act drags on and the whole affair is totally unfocussed .
Many commentator have mentioned this before , but the Vader hallway carnage might ’ve been even more good if he ’d remove all the principal characters — who were going to pall in the movie anyway — instead of a clustering of Rebel soldiery we do n’t know anything about .
Right: Final Battle
While the second human activity ofRogue Onestumbles in its muddled attempts to mix in together the various report thread , the third act sort of make up for it with an awful final struggle .
The combat on the ground has the esthetic and intensity of a Vietnam War movie , whilethe fighting in spacehas the breathtaking cinematography and state - of - the - art CGI ofRevenge of the Sith’sopening conflict sequence .
Wrong: Cutting Out All The Best Action
It ’s in reality pretty common for shots that seem in the trailers for major blockbusters not to make it into the actual picture show . Such is the nature of celluloid redaction — especially when the edit has to please a big display panel of directors who have mix up up $ 200 million for the output .
ButRogue Onereally accept the cake . All the most exciting action scenes fromRogue One ’s marketing campaign do n’t come out in the final motion picture . Instead of go from AT - ATs with the Death Star plans in mitt , Jyn has to send a contagion from a tower . And instead of facing a TIE fighter before sending that transmission , she faces nothing . All the best legal action wind up on the film editing elbow room floor .
NEXT : Star Wars : 5 thing The Force Awakens acquire good ( & 5 It Got unseasonable )
