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2012’sManiacremake does one thing better than the original movie despite its being arguably better in almost every way of life both technically and in damage of subject matter . What truly set it aside from the original is how Frank ’s relationship with his sexual love interest , Anna , is employ to develop his character . In the original , Frank ( Joe Spinell ) come across Anna ( Caroline Munro ) very late in the film — more than halfway through its running game time — and even after that , their human relationship supply comparatively minuscule additional insight into the protagonist ’s character .
The remaking introduces her much more quickly — Frank ( Elijah Wood ) see Anna ( Nora Arnezeder ) in the movie in under 15 minute . In both films , their relationship is key to their shared premise : Frank Zito is amentally ominous serial killerlooking for erotic love who strives to be a part of guild but is unable to do so because of his obsessional , murderous impulse — i.e. , he needs to hunt cleaning woman and apply their scalp to re - produce them as form so that he can keep them forever .
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Without Anna , Frank ’s inner conflict remains between him and his victim . The potential for a romance to develop between them , regardless of how weak that potency may be , provides a deep look into Frank ’s character and play up an essential part of what hit him ticktack — he desperately crave a tangible family relationship with a woman , but because of his extremely riotous past with his mother and his presumptively undiagnosed mental illness , he is doomed to fail .
Maniac: The Connection Between Serial Killers And Art
The originalManiac(1980 ) is perhaps the firstslasher filmthat creates a connection between sequential killers and prowess , a theme that was more lately and more explicitly explored inThe House That Jack Built(2018 ) . Both films portray Frank in some style as an artist who becomes involve with Anna , a photographer . The budding relationship between Frank and Anna highlights element of the protagonist ’s fibre in several agency , one of those way being through the characters ' views and discussions on the purpose of art .
In the original motion picture , Anna conceive that she makes the subject of her photographs beautiful through her art ; whereas Frank believe the photographs just preserve the beaut that is already there , which is how he views the purpose of his own villainous " graphics . " However , their panorama on art could have been used more to play up the underlying reasons for Frank ’s desire to preserve that beauty . The remaking capitalizes on this chance substantially more . For example , in the remaking , Anna say Frank that she takes pictures of mannequins because she desire to " bring them to life with light . " This gossip underscores the fact that Frank , who does n’t actually refer to himself as an creative person , make for mannikin to life with darkness — a shadow he accrue during his tumultuous childhood and because of his apparently unmanaged genial illness .
to boot , toward the end of 2012’sManiac , Frank pander a horde of faceless mannequin for Anna . She later use them as a part of her photography exhibition , in which she projects her brass onto the mannequins , thus bring them to animation , much like what he later judge to do with her scalp . Their views on art are a vehicle for commentary that highlights the film ’s assertion that Frank will never be able to fit into society , that he will never be capable to have a real relationship with a cleaning lady , and that his interior conflict will never be resolve no matter how hard he try .
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