Jesse Eisenberg ’s eccentric operation as Lex Luthor inBatman v Superman : Dawn of Justicewas a point of contestation in an already controversial movie , but the coming release of the " Snyder Cut " ofJustice Leaguemay slough a more cocksure twinkle on the interpretation .   Zack Snyder was the original music director ofJustice Leaguethrough principal photography and part of Wiley Post - production before personal circumstance extend him to step down , after which Joss Whedon need over and extensively retread many aspect of the film . After heavy lover petitioning , Warner Bros. late announced that they would practice $ 20 - 30 million to complete Snyder ’s original visual sense of the   undertaking , now titledZack Snyder ’s Justice League ,   which will be free on HBO Max . This cut is have a bun in the oven to expand upon the storylines of many characters , include Luthor .

Although the last battle ofBatman v Superman : Dawn of Justicesees Batman , Superman , and Wonder Woman battling Doomsday , Lex Luthor is the primary resister of the movie ,   orchestrating   challenge to the Man of Steel ’s power and pitting him against Batman . He is defeated and captured in the destruction , and then goes unobserved throughout the entirety ofJustice Leagueuntil a post - credits aspect shows him recruitingJoe Manganiello ’s Deathstroke into a villainous coalition . But he originally had a much large use that expand on his electric discharge inBatman v Superman .

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fit in to Eisenberg , his Luthor had more screen time in Zack Snyder ’s original swing ofJustice League . Although Steppenwolf would still be the main scoundrel ( the harbinger ofa reclusive Darkseid ) ,   Lex Luthor ’s visual aspect would be notable in that he would already have served   some time in prison , which would doubtlessly   have change the shelter , idiosyncratic demeanor he displayed inBatman v Superman . Snyder also say Darkseid has a architectural plan for Luthor , connote a much larger signification . Even in a non - central role , a few prospect showing this transitional period in his life could go a foresightful way in fleshing out the hitherto - unexplored moral force between his roots as an awkward technical school billionaire and his destiny as an iconic supervillain .

Much of the dissatisfaction from Eisenberg ’s performance inBatman v Supermanstemmed from the dissonance fans felt between   it andDC ’s   Machiavellian mastermindtypically portrayed in other stories . However , modernizing the archetypal malign ace in the age of Silicon Valley does inherently make a lot of good sense , and there are even a few moments , such as his speech at the LexCorp gala , where Luthor ’s gracelessness takes on a foreign kind of unsettling menace . But the   idealistic way of viewing the interpretation is probably   as a form of stemma story ; after all , the DCEU ’s Luthor did n’t even have his signature shaved head until after his captivity the remnant ofBatman v Superman : Dawn of Justice .   By following up on this transformative defeat , the Snyder Cut can give off the fiber in a elbow room that was n’t prioritized in the theatrical cut .

Until its going in 2021 , we can only theorise on how otherwise Luthor will comport himself in this new version ofJustice League . Even if he does germinate into a more developed villain , it ’s evident Eisenberg ’s take   will still be a unlike , advanced twirl on the 80 - yr - old scoundrel . This is potential for the sound because , while Snyder is clearly eager tohonor his comic book source material , all of the DC   heroes   that he has worked with have been filter through his finical lense , and they need an antagonist that feels rationalize from the same cloth . Ultimately , fixing Lex Luthor may have less to do with change him than with giving Jesse Eisenberg ’s operation enough metre to develop into what it was truly mean to be .

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