Host
repugnance creative person Trevor Henderson and writer Jed Shepherd are behind the terrific novellaFlicker . The novella follow an eager amusement journo who goes to the house of a reclusive actress who has some frightful account to assure the writer .
Shepherd is perhaps best be intimate for writingHost , dubbed one of the chilling flick of the decade , while Henderson ’s work is prolific in the horror literary genre for its haunt nature .
relate : Host ’s Formula Ca n’t Be Copied By Other Coronavirus Horror Movies In 2021
Screen Rantspoke aboutFlickerwith Trevor Henderson and Jed Shepherd , let in how their vision interpret to the page , what disembowel them to the genre of horror , and how the story came to be .
Screen Rant : Jed , when writing horror for the page , do you set about that otherwise than you would indite it for a movie ?
Jed sheepman : Actually for about 10 twelvemonth beforeHostcame out , I was doing poor film , so it ’s kind of the same reflex . And I really wish short - form repulsion as well . Something that is just myopic , sharp , and kind of get somebody ’s head very , very quickly . I ’m always a prominent fan of those type of thing . Mostly because my attention straddle is zero . So anything that can kind of instantly get to me is agreeable .
But to be quite dependable , it ’s the exact same format is the accurate same thing I think about when I save shortsighted form and , and slightly longer . It has to be shuddery . It has to be interesting , not just for the audience , or the potential readership . But for myself , it needs to be something because me and Trevor we ’re monumental horror devotee , we ingest so much repulsion . All we utter about is repugnance . If you look at my Twitter , there ’s no politics , there ’s no personal material . It ’s just all revulsion and that ’s how I like it .
When I ’m write something , I ’m thinking about every single horror moving-picture show ever made , every single piece of horror medium I ’ve ever could have either play or study . And I ’m like , " Okay . What ’s something fresh I can impart to the write up ? Or a little construction on something classic ? " That ’s what I ’m thinking about .
Trevor , how does this collaborative process work for you when you ’re illustrating something for someone else ’s story ? How do you choose which figure to institute to biography and where do you draw that intake from ?
Trevor Henderson : Well , working with Jed is always a aspiration , because we ’re on such a similar wavelength . We ’ve work on several things in the past tense , and I ’m sure we ’ll wreak on many thing in the future . For Flicker specifically , I just read through it a duad of clock time and the first thing that we tackled was the adversary , the Flicker Man , and really nailing that look , because it was very of import to Jed for obvious reasons .
And then once we ’ve gotten that down , I just begin doing sketches for kind of fundamental moments through the book . I pass him a little leaning of like , " Oh , we ’re gon na do five illustration . You know , I ’m thinking this part , this part , this part , seemed kind of like key pivotal moments . " And then we do work up sketches and we just get to the finals of each one . And kind of it ran its agency through the account book .
Do you have a favourite image from Flicker that you were just like , " I ’m horror-struck but I also sleep with it ? "
Henderson : My favorite prototype in the book that I did is the eyeless , tongueless victim of the Flicker Man . That ’s just a startle scare on a page .
Shepherd : I really like the cover .
Henderson : I ’m happy with the cover , too .
sheepman : Yeah . Just because like it kind of tells a story . There ’s a creepy man , he creeps up behind you . And then there ’s this woman with , for some rationality , this fabric on her head . And I think that ’s really , really interesting . And in the account , I was inspired by a Matisse painting for that spirit .
There ’s a painting [ of ] somebody with a cloth over their principal and , like , what if that was part of a hellish ritual ? What was that like ? I can get my inspiration anywhere , and definitely classical artistic creation is one of those position .
Speaking of inspiration plot of land - wise , there are shades ofSunset Boulevard , which is one of my preferent movies . Was that intentional and were there any other standout influence forFlickerand the Flicker Man ?
Shepherd : Yeah , Sunset Boulevardis by all odds 100 % a monolithic influence on me . And for this other project I ’m about to do potentially , it has aSunset Boulevardkind of vibe . There ’s also a novel by Angela Carter calledThe Passion of New Eve , which is - very quickly - about a human being who has his crotch sheer off and get hold inspiration in that to go and locate his favorite classic actress . And I was just like okay , that ’s interesting , the lookup for an actress you used the love when you were a fry and for some reason , now you have the the the impetus to go track her down . I used to work in news media myself . So I would always be very keen on interviewing the great unwashed who were my heroes of the past . So I have a minuscule snatch of myself in this as well .
Obviously , creepypastas and net rituals are grownup for me . And Trevor Henderson is one of the biggest names in creepypastas and internet stuff and nonsense . There is n’t anyone bigger fundamentally . So when I take a character created , an antagonist that ’s dreaded I depart to Trevor . And also another form of just world-wide , big influence for me , is the filmNight of the Comet . It ’s 1984 , this Hellenic flick , and it does n’t really seem like that has anything to do withFlicker , but it ’s always a film that ’s in the back of my nous , to get that kind of vibe , like the admixture of horror and a slight mo of elation as well . And so yeah , so that ’s few influence .
I ’ve interview a luck of people for horror projects , and I ’m always curious about what draws them to the genre . What makes you love it so much ?
Henderson : Oh , I ’ve always bonk repugnance since I was 10 or 11 . My dad used to add up home from oeuvre and stir up me up at two in the cockcrow to watch over horror movies with him . I would hide out behind the couch when my momma came down to see if I was up . I just think it ’s the broadest genre in terms of what it can embrace .
It has so many facets more than any other kind of every other genre . you may get comedy , you may get just pure pearl - cool down horror , you may get everything . So it ’s just it ’s an amazing tool that I like so much , I intend . Yeah , and it ’s just been something I ’ve loved since I can recollect loving anything , I hazard .
That ’s hilarious that your daddy would waken you up to watch horror movies .
Henderson : Not even kiddie stuff either . Like , properReturn of the Living Deadand even the originalEvil Dead , The Beyond , Fulci material .
I did desire to ask about your cinema labor for a endorsement . Hostwas dubbed the scariest movie of the decade . With your follow - upDASHCAM , did you sense that pressure ?
Shepherd : No , to be dependable . Me and Rob Savage , who directedHost , we hadDASHCAMlined up . We wanted to do it beforeHost . And we kind of pitch it around town a little bit and it was too crazy for the great unwashed back then . But as before long asHostcame out , then those same people came back to us like , " Hey , that dashcam film that you that we said no to you ? How about now ? " And I thinkDASHCAMis the form of picture show that you could only make coming off the back of make the scariest film of all time . The ability to make something - pardon the wordplay - with no seatbelts and just kind of out there , especially in the find footage genre , which is quite badmouth .
Even in the horror community , sometimes the great unwashed just do n’t care get hold footage sometimes . So we were just like , Okay , this may be our last chance to make something likeDASHCAMstraight off the back of the large hit . So it ’s exciting to me , and it ’s being released in June . So I ’m excited for people to see . It ’s nothing really likeHostat all . It ’s the reverse . In fact , it ’s not inside , it ’s outside . We ’re still dealing with some of the themes that you see inHost , like alienation and matter like that .
The idea of experimentation , especially in the horror genre , is so interesting . How do you come up with these way of life to bend the genre and observe fresh ways to frighten off hoi polloi ?
Shepherd : Because , again , we ’re monolithic horror fans and repugnance fans to me are the most cine - literate kind of audience out there . They ’ve reckon everything once . You wish repugnance , you watch all horror and you go back , you go back , and [ check the ] classic black and white films . So because you have that general intellect amongst your peers , it takes a lot more to impress the great unwashed or for people to say , " Oh , wow , that ’s something I have n’t seen before . " And because repulsion is my biography , I wake up every daylight , and I live , breathe , and eat horror . And the short terminus is precisely the same .
But just see for dissimilar ways to pall people , different shipway to tell stories . With a video game , I was very cognizant that the telecasting plot clientele is five times bigger than the film manufacture . So , therefore , in my mind , that ’s five times more masses who will see the write up that we ’re try on to tell and it ’s just interesting to do . It ’s to keep it interesting for us to do things in a different medium .
And withFlickeralso it ’s just another sensitive . So you might get hold a few people that do n’t do it you fromHostorDASHCAMor wherever and they ’ll think " Oh , okay , this person knows repulsion , this someone is doing something interesting . " I desire to do things in all mediums - in ware , in television , of class , in novel musical theater on the stage , alive - legal action stuff , practical reality , print magazines . I want to do it all because I recollect there are stories that have n’t been told yet in repulsion , or voice that have n’t been heard . And I desire to do everything basically .
Henderson : A circle of what Jed state . But I just think that horror is this wide net , this all - encompassing , that is the perfect putz to evidence all kinds of different stories , like every sort of unlike story . And , you acknowledge , the lucre , when you kind of find that you want to explore it as much as potential and try every potential boulevard and venue . Because I do think that there are tons of report like Jed said that repulsion specifically [ is ] absolutely disposed for and have not been tell as yet . So that ’s just the natural progress - want to just see how far I can go in any one guidance , I guess .
Shepherd : WithFlickerspecifically , I want that to exposit to different medium as well . I think it ’s quite cinematic how it is . And I believe witness that as a feature film is the logical next step for me because everything I ’m doing is going towards making a picture rendering of it . So I thinkFlickerspecifically would make a really , really practiced film in the variety ofConjuringvein . That ’s why Trevor makes everything so cinematic , His images are just so outstanding . It just get my words to life .
More : Why legion Worked As A Lockdown Movie But Locked Down Fails
Flickercan be buy onAmazon .
