Dawn of Ragnarök , the third and final expanding upon forAssassin ’s Creed Valhalla , leaves history behind to fully embrace Norse mythology . The open - humans action mechanism franchise once   prided itself on putting a sneaky tailspin on   real - Earth location and events like the Italian Renaissance , French Revolution , and   Golden Age of Pirates . While these historic reenactment are framed by a sci - fi plot involve ancient beings and powerful relics , the olderAssassin ’s Creedgames mostly   focused on climbing across or sneaking through   iconic landmark and   meeting historic figures .

The   enfranchisement ’s most recent trilogy of games , however , stress mythology and takes position very too soon in theAssassin ’s Creedtimeline . Assassin ’s Creed Origins , for example , brought players to Ptolemaic Egypt and featured   heroic boss fight against deities like Sobek and Anubis .   Likewise , Assassin ’s Creed Odysseyrecreated ancient Greece and put an even keen focus on supernatural elements by admit creatures like   Medusa , the Minotaur , and the Cyclops . Assassin ’s Creed Valhallacapped off this ancient trilogy   with   a mountain of mythical constituent , with a twisting bring out that player character Eivor is in reality a renascence of the Norse god Odin .

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White Chalier from floating cemetery

The third and terminal expansion forAssassin ’s Creed Valhalla , titledDawn of Ragnarök , center almost entirely on mythology with a game taking Odin across Svartalfheim   to rescue   his son Baldr . Throughout the challenging   DLC   histrion confront off against Surtr and his fire elephantine follower , andnew powers inDawn of Ragnarökallow Odin to transform into a raven , rise beat foeman as allies , walk across lava , and more . While   the expansion   completely abandon the serial publication ' goal of immersing players in factual historical effect , Dawn of Ragnarökis still a direct prolongation of the dramatic revelations from the end ofAssassin ’s Creed Valhalla .

Despite abandoning diachronic truth in favour of epical fantasy action , theDawn of RagnarökDLC forAssassin ’s Creed Valhallais canon . LikeOrigins , Odyssey , and   the main narration ofValhalla , the enlargement treats mythic elements   as an genuine part of history . The franchise ’s frame history involving the   ancient Isu and the powerful Pieces of Eden has been present since the very first installment , and   these concepts justify originative raw content like a trip through the Nine Realms as Odin the All - Father .   While some stories in the past have been non - canon , likeAssassin ’s Creed 3 ’s Tyranny of King   Washingtonexpansion , Dawn of Ragnarökis firmly base   as a follow - up toValhalla’splot of   Eivor being a rebirth of Odin .

Over the year , Assassin ’s Creedhas slipped further and further into   the fantasy musical genre , with supernatural   fauna and mythic immortal becoming a regular part of the opened - world experience . WhileDawn of Ragnaröklets players become Odin and fell through the skies of   Svartalfheim , the expansion is still set in the same Earth and timeline as the   prime   original instalment . Many fans feel thatAssassin ’s CreedDLC is acquire ridiculous , but it should be call up that gods and relics have always been a part of the franchise ’s identity operator .

Attempting to bounce off this block in CP7 of Black Belt in Trials Rising.

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