Raging Bull
In the 1970s , Martin Scorsese became a home name with hits likeMean StreetsandTaxi Driver . The ‘ seventy marked the prime of the New Hollywood movement that launched Scorsese ’s groundbreaking calling . At the tail end of the decade , Scorsese suffered his first critical and commercial bomb calorimeter with the polarizing musical romanceNew York , New York .
But the director gain a comeback at the beginning of the 1980s with one of his fine films , boxing biopicRaging Bull . Throughout the rest of the decade , Scorsese helmed beautiful , intriguing , richly crafted movies likeThe King of ComedyandThe Last Temptation of Christ .
New York Stories (1989) – 6.4
Scorsese ’s last pic of the 1980s , New York Stories , is sort of a stylistic experimentation . It ’s an anthology of three New York - centric short films helmed bythree fabled New York - base filmmakers : Francis Ford Coppola ( “ Life without Zoë ” ) , Woody Allen ( “ Oedipus Wrecks ” ) , and Martin Scorsese ( “ Life Lessons ” ) .
Scorsese ’s section is first in the line - up , and the only one that was consistently acclaimed in reviews . Coppola and Allen ’s section were heavily knock , but Scorsese ’s was praise for getting the movie off to a strong head start with the tarradiddle of a middle - ripened painter and his disillusioned vernal muse .
The Color Of Money (1986) – 7.0
In 1986 , Scorsese helm his one and only dealership movie , The Color of Money . This is one of the former examples of a “ bequest subsequence , ” which has since become a blockbuster trend . It ’s a belated sequel toThe Hustlerreleased 25 years after the archetype . This was Scorsese ’s second mutation movie of the decade afterRaging Bull .
Paul Newman win the Academy Award for Best Actor ( his first Oscar win after a walloping seven nominations ) for recapitulate his part as pool hustler Fast Eddie Felson . Tom Cruise gave an former - career endure turn as a vernal protégé that Felson pack under his wing .
The Last Temptation Of Christ (1988) – 7.5
Catholic guilt was a musical theme of Scorsese ’s filmmaking from the very beginning , but he did n’t make an overtly religious movie until 1988’sThe Last enticement of Christ . Last Temptationis a typical Scorsese biopicthat presents its field as a virtuously equivocal antihero – it ’s just that the topic happens to be Jesus Christ . This is a novelise portrayal of Jesus that was n’t ground on the Bible , but rather on Nikos Kazantzakis ’ controversial novel .
Despite being a lifelong follower of the Catholic trust , Scorsese did n’t force any punch in his depiction of a three - dimensional christ . The photographic film is notable for its asterisk - studded roll , featuring Willem Dafoe as Jesus , Harvey Keitel as Judas , Barbara Hershey as Mary Magdalene , and none other than David Bowie as Pontius Pilate .
After Hours (1985) – 7.6
Scorsese followed upThe King of Comedy , one of his only full - shoot a line comedies , with another one of his only full - blown clowning , After hour . The everlasting intersection between a screwball drollery and a film noir , After Hoursstars Griffin Dunne as Paul Hackett , with defend performances by such concealment image as Rosanna Arquette , Teri Garr , and Cheech & Chong . Set over the course of one demented night , After Hoursfollows a bored office drone who finishes a late shift and ends up on a gonzo odyssey through the strange corners of New York City ’s SoHo district .
With its single - Nox story structure , After Hoursplays likeDazed and ConfusedorSuperbadbut with a more philosophical , existential edge . Although it was n’t properly appreciated in its time , After Hourswas recently reference by Apple ’s make sitcomTed Lassowiththe Coach Beard - centrical episode in season 2 .
The King Of Comedy (1982) – 7.8
Scorsese ’s underappreciated showbiz satireThe King of Comedyis essentially a comedic take on theTaxi Driverformula with another story of a delusional lone hand being driven to his breaking point and turn to a life of crime . Taxi Driver ’s Robert De Niro stars as Rupert Pupkin , an aspiring comic who want renown and fate without commit in the work .
Prince Rupert imagines a friendship with talk show legion Jerry Langford , played by a hysterically deadpan Jerry Lewis , and ends up kidnapping Langford to blackjack his way into getting stage clip on the show . The King of Comedywas overtly homaged by the plot of theJokermovie , whose $ 1 billion box government agency receipts affirm the timelessness and go on relevancy of the Scorsese original . InJoker , the roles are reversed with De Niro play the exasperated talk show legion .
Raging Bull (1980) – 8.2
AfterNew York , New Yorkresulted in the first vital and commercial failure of his career , Scorsese came back in a big way withRaging Bull . Along withTaxi DriverandGoodfellas , Raging Bullis hail as one of the theatre director ’s finest films . It earn Robert De Niro a Best Actor Oscar for his crude , uncompromising portrayal ofviolent , opprobrious boxer Jake LaMotta .
Throughout the picture , LaMotta ’s furor – which is exasperate but not contained by the tintinnabulation – gets the unspoilt of him and drives off everybody who ever care about him . LikeTaxi Driver , Raging Bullis a subject of closing off , but alternatively of being a loner from the beginning , LaMotta is surrounded by class and friends that he alienates with anger and violence .
NEXT:10 Ways Raging Bull Still Holds Up Today
