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From stripling star to Captain Marvel , we ’re taking a look at the flick ofOscar - winnerBrie Larsonand ranking them from forged to salutary . At the new - faced age of 30 , Brie Larson has managed to fall the kind of diverse , wide - reaching , and jam - take life history that many actress twice her old age have yet to achieve . deliver Brianne Sidonie Desaulniers , Larson adopted her stage name from an American Girl bird call Kirsten Larson and began working on cinema and television receiver from a young age . She accept on several guest roles on series likeThe Tonight Show with Jay Leno , starred in supporting roles in movies like13 live on on 30 , and even had a abbreviated teen singing career .
As she aged into adulthood , Larson ’s calling evolved into that of a typical work actress : morsel parts here and there ; a lot of television study ( from a starring function inThe United States of Tarato one - off appearance in show likeCommunityandThe League ) ; the occasional big movie . Mostly , however , Larson began to make her name as a serious talent in indie projects favored by the fete circuit , even if they were n’t widely seen by general hearing . Larson even admitted that times got so tough for her financially that she subsequently admitted toVanity Fairthat for a clip she was"living off the food in the moving picture - festival welcome talent bags . “Her self-aggrandising severance come in 2015 in the adaption of Emma Donoghue ’s novelRoom , wherein she played a cleaning lady held confined for seven years in a tiny space with her son . forthwith , she became the breakout star of the season and stormed her room through the awards circuit , culminate in a Best Actress Oscar win . Then , Marvelcame calling and Larson became Captain Marvel herself , thus intermit ground in the enfranchisement ’s first female person - head movie , co - directed by a woman .
Now , Larson go on to diversify her life history . She ’s returned to indie purpose , made her lineament directorial debut , and even set off her own YouTube channel . It was lately harbinger thatCaptain Marvel 2will be directed by Nia DaCosta , wee-wee her the first grim charwoman to direct a motion-picture show in the MCU . With that in mind , we ’re taking a look at the 27 feature film performance of Brie Larson and range them from worst to proficient .
Disclaimer : This list is limited to her picture performance and does not let in cameos , voiceover workplace , or short films .
#27 Basmati Blues
It ’s never a serious mark when a film is table for several year before release . Larson signed up for the staggeringly misguidedBasmati Bluesin 2013 , but the motion-picture show did n’t see the light of solar day until 2018 , due to multiple reshoots and the drama of monsoon season damage the production . The cast probably would have been glad if the photographic film had been entomb forever . Basmati Bluesis a unaccented and often cringe - inducing effort to vivify the thaumaturgy of Bollywood cinema through an American lens , but it miss the point entirely and does n’t seem to sympathise or care about what make Native American moving picture so unparalleled and beloved . summate to that a blank savior narrative and penny-pinching - negative interpersonal chemistry between Larson and her romantic lead Utkarsh Ambudkar and you have a depressingly simplistic tale that ’s as tedious as it is insulting .
#26 Housebroken
Danny DeVitoplays a disgruntled father whose use of his retirement is jam by his shirker Logos and their refusal to move out of the house . To learn them a object lesson , he and his wife ( played by Katey Sagal ) go on the road and force the pair to fend for themselves . Housebrokenis your standard philistine comedy wherein every actor need is crystal - exonerated about this moving-picture show being a quick cash snap with little to no other redeeming qualities . It ’s a waste of Larson , DeVito , and Sagal .
#25 Sleepover
One of her first motion picture roles , Larson has a little role in teen comedySleepover , centered on a radical of eighth - grader and the slumber party that encounter them collide with the popular crowd , their male child press , and meddling parents . For a 2004 movie , Sleepoverfeels like a curious token from ten twelvemonth prior , but one where all of the adolescent stars are creepily objectified even as the film tries to whirl a young lady powerfulness message of empowerment . The addition of future stars like Larson , Jane Lynch , andSteve Carellprovides the only gently intriguing elements for bored viewers .
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#24 Remember the Daze
Larson is one of a server of placeable faces in the otherwise forgettableRemember the Daze , a teen drama featuring Amber Heard , Alexa Vega , Leighton Meester , and Melonie Diaz . The movie ’s influences are obvious , from Cameron Crowe toJohn Hughesto Amy Heckerling , but it own none of those directors ’ learning ability or inwardness . It arouse neither nostalgic heat nor penetrative - eyed understanding of why such high-pitched school narratives endure after decades of rehashing .
#23 Just Peck
There ’s not much to say aboutJust Peck , a 2009 teenager drollery wherein Larson play a democratic little girl who becomes the objective of affectionateness for a loveable misfit who tries to cling to the sliver of the popularity her attention offers him . You ’ll be lucky if you may even get hold much information on the movie online . It ’s another teen motion picture , although it often skews much untested with its jokes , design to deflect you for 90 or so second before you immediately draw a blank it , and we imagine that most viewer did .
#22 Tanner Hall
Directors Francesca Gregorini ( Killing Eve ) and Princess Tatiana von Fürstenberg ( a genuine - life princess ) teamed up for this adolescent drama about a group of kids last together at a sheltered boarding shoal in New England . Larson play the wild card teen whileRooney Maragets the leading role as the shy girl whose life is thrown out of symmetricalness by the arrival of an honest-to-goodness childhood friend . There are charming moments here and there , mostly from Mara and Larson , butTanner Hallis a slog of a movie that settle on generic from its possibility scenes and remains there until the possibility credits . The deficiency of narration momentum makes its 96 - second running meter feel way longer .
#21 The Trouble With Bliss
Dexterstar Michael C. Hall play the starring role inThe Trouble With Bliss , an indie drollery about an unemployed shirker with no next scene whose spark for sprightliness is reawaken by the arrival of a novel sexual love interest , who also just happens to be 18 years old . This concept may have work better in the al-Qur’an the film is based on , but in adaption it feel cringe - inducing and often super - creepy in way it does n’t seem to have intended . The cast is uniformly charming , with Larson and Hall bounce off sometime - hands like Peter Fonda and Lucy Liu , but the film itself is so eager to be way-out that it ends up being far too slaked with itself , even when nobody else seems to care much .
#20 Hoot
Carl Hiaasen is one of the great Floridian novelists - a author with the sharpest intellect of his home base state and its various , oft - derided eccentricities . That sensibility exploit surprisingly well for his YA novelHoot , the story of a group of small fry who defend against land developer to redeem the home ground of a rarified breed of owl . It ’s an immensely magic read but the picture ofHootis depressingly lacking in those endearing character . Its heart is in the right position - as with many Hiaasen novel , it ’s a proudly environmentalist tale - but it sacrifices the quirky vitality of its reference material for all-embracing jokes and mugging . Larson and youngLogan Lerman , however , are both very good and it is encouraging to see a kids movie distinguish its young audience that they ’re capable of make real change in the humans . There ’s also a surprising number of super - fun Jimmy Buffett songs throughout . If nothing else , the moving-picture show is still proudly Floridian in a way that Hiaasen would O.K. of .
#19 The Gambler
Director Rupert Wyatt ’s remake of the 1974 filmThe Gamblercannot help but pale in comparison to the original . Mark Wahlbergcan radiate in the correct material , but he seems oddly miscast as the ego - destructive professor who goes all - in on trying to gamble his room out of his increasing debts . He ’s blast off the CRT screen by Jessica Lange who plays his female parent with a deliciously deadly border . The motion-picture show is at its best when it allows itself to steep in the tackiness of play and its beleaguer ecosystem but all too often it seems to see this Earth as kind of cool , which defeats the entire full stop of the fib .
#18 The Glass Castle
Larson has formed a firm creative family relationship with writer - theater director Destin Daniel Cretton , who is now part of the Marvel mankind as the music director of the upcomingShang - Chimovie . The Glass Castle , the second of their two collaborations , is well their weakest joint exertion , even if it seemed perfect for the span of them on report . At its heart is a deeply affective true floor of a woman ’s guilt over give up her past and the nonadaptive impoverishment - stricken menage who bring up her with lofty dreams . Larson is tough in the lead character but the part is nowhere near layered enough for her skills , and the border players are left to fall into oft - awkward clichés . Woody Harrelson is a renowned exclusion as Larson ’s father , a man who veer between magnetic and repelling , often in an blink of an eye . The problem is that the fabric seems to mean that this family and their disregard is somehow quirky or a signaling of their true worked up affluence . In realness , they ’re brutal , often neglectful , and often abusive . The Glass Castlewants the audience to see this globe as one of tricky stratum and emotional complexity but it ’s too broadly speaking painted to transmit such realities . alternatively , everything is calamitous and ashen and unearned sentiment stands in for the difficult questions its set - up poses .
#17 Unicorn Store
Larson made her feature directorial debut with this odoriferous taradiddle of a millennial idealist afraid to step in full into the responsibilities of maturity . Just as she ’s ready to load down by her infantile things , a mysterious salesman offers her the fortune to own a real - life unicorn if she complete a serial of tasks . Banking on their excellentCaptain Marvelchemistry , Unicorn Storeis at its most joyous when Larson bounces offSamuel L. Jackson , who is clearly having the metre of his life as a Willy Wonka - esque figure . While the movie is wildly uneven , it ’s a delightfully sincere and proudly pastel movement that tackles the subject of personal growth with relish . Larson throws coruscation and pink and rainbows everywhere , which may tire out some people , but it works well forUnicorn Store . As a directorial debut , it hints at actual potential for something great on the horizon .
#16 13 Going on 30
It ’s well-off to forget but Brie Larson was in13 Going on 30as one of the coolheaded girls that young Jennifer Garner urgently wanted to be friends with . It ’s a blink - and - you’ll - miss - it part but the rest of the moving-picture show is so in earnest fun that you ’re come through over by its charm . Garner may have made her name as an action star inAliasbut she ’s never been more absolutely disgorge as the all - grown - up stripling who is flabbergast by her adult lifetime and the wad she made of a past she ca n’t remember . Its ending stay a stiff tearjerker too .
#15 Rampart
Crime fable fable James Ellroy ofL.A.Confidentialfame co - wrote the script for 2012’sRampartand his signature tune is all over the finished product . Part noir , part grimy fuzz drama , part nihilistic lineament piece , This allegiance to a entirely fatalist vista on legal philosophy , guild , and America as a whole may be too much for some viewing audience to stomach , but it distressingly captures a reliable descent into hell that give away the moral hypocrisy of organised policing in a way that Hollywood is often too timid to capture . The star of the show is Woody Harrelson , who is brutal and riveting as a man falling into the iniquity of his own making .
#14 Don Jon
ActorJoseph Gordon - Levittmade his feature film directorial debut ( as well as drop a line and star in the conduct role ) inDon Jon , a thoroughly adult amorous - dramatic event about a New Jersey lothario who is more concerned in porn and one - Nox - stand than a long - lasting relationship . His well - set ways are challenge by the arrival of Barbara ( Scarlett Johansson ) , an erstwhile - fashioned romanticist who wants a right courtship over uncomplicated sexual urge . A set - up like this could so well have descended into sleaze or unearned moralizing , not to cite leer sexism , but Gordon - Levitt has a firm hold on his narrative . It helps that all of the female fiber are deftly - drawn and give more to do than be bare love interests .
#13 Kong: Skull Island
So many remakes , reboots , and re - imaginings of King Kong and Godzilla get too wrapped up in weighty themes or the demand to inject stylistic realism into their feat , butKong : Skull Islandunderstands what a narrative like this really want : A whole lot of tantrum of a giant ape destroying things . The tempo is appropriately speedy , the visuals sleek and exhilarating , and most importantly , it ’s fun . The moving picture is a proud type B - movie that just so happens to have a nine - figure of speech budget and the hope of a dealership taunt on its wide , hairy shoulders . The world like Larson scarce register compared to Kong himself , but that ’s kind of the point . You do n’t amount to a plastic film like this for insidious human drama : You ’re here for the old - shoal spectacle andSkull Islanddelivers what the people ask .
#12 Captain Marvel
The hoopla ofCaptain Marvelas the pioneering lead heroine of the MCU after a long decade of look felt more impactful on pop culture history than the film itself . As with every other moving-picture show in this vast and influential enfranchisement , Captain Marvelis beholden to a tried - and - examine formula , which it remains exceedingly patriotic to . That leaves the audience with little in the way of surprises but it ’s still a movie that carry through what it set out to do . Larson is a place - on Carol Danvers and she peculiarly come to animation when she bring to jounce off Samuel L. Jackson , with whom she shares electric BFF chemistry . Here ’s hop thatCaptain Marvel 2can come off the rails for a while .
#11 Greenberg
DirectorNoah Baumbachteamed up with his now X - wife Jennifer Jason Leigh for 2010’sGreenberg , a funniness - dramatic event about a New Yorker experiencing a minor mid - life crisis who go to Los Angeles to figure out his future , all while falling for his brother ’s supporter , played by Greta Gerwig . This is the kind of report that Baumbach can make in his sleep ; a sharp - edged play with comedic component about a psychoneurotic New Yorker beat down by the rarity of everyday American life . While it ’s not a patch on , say , union StoryorThe Squid and the Whale , Greenbergstill gives Ben Affleck one of the good function of his life history .
#10 Free Fire
Ben Wheatley’sFree Firetakes the giant shoot - out setting that would constitute a typical action film ’s third number and extends it to 90 minutes . Styled like a grimy seventies thriller , complete with turtlenecks and tease - out hair , Free Firerevels in its own bedlam . It ’s not the conductor ’s best work but as his first truthful stab at the mainstream , it ’s a rollicking in force sentence that lets Larson and fellow cast of characters member like Cillian Murphy and Armie Hammer have an absolute blast . It ’s utterly over - the - top and mercilessly bleak in its humor , and a great signal as to how well Larson could hold her own as the lone woman in the boys ’ room .
#9 Avengers: Endgame
What is there provide to say aboutAvengers : Endgamethat has n’t already been enjoin ? The most financially successful motion-picture show of all clip has forever sealed its home in cinematic account thanks to the gargantuan achievement of Marvel Studios and over a ten of chassis - up that made this climax oh - so - satisfying for millions of fans . It ’s tough to judgeEndgameas a simple movie within this entangle linguistic context and it certainly does not make as a standalone title ( it was never specify to . ) Instead , it is the ultimate clangor of effects , iconography , and fandom fervor , of which Larson is a raw but extremely welcome summation .
#8 Trainwreck
Amy Schumer remains a dissentious figure in comedy , but for a abbreviated flow , she was huge and Judd Apatow help her to capitalize on that diligence clout withTrainwreck . The comedian and director prove a solid fit for this raunchy drollery that put on its romantic intent proudly on its sleeve . While Schumer does irrigate down her more bristly edges for a mainstream interview , there ’s a lot to enjoy in this story of a self - destructive woman who does n’t seem to believe she ’s worthy of much beyond ridicule . The film is at its watery when Apatow countenance his impro run long in wordy scenes that may have been fun to take but are n’t deserving much after the edit . Released the same year asRoom , it ’s brisk to see Larson as the square cleaning lady to Schumer , providing the heart and intellect to this tale .
#7 Digging for Fire
Joe Swanberg became a fundamental figure of speech in the so - anticipate mumblecore motion of 2000s indie cinema , but 2015’sDigging for Firesees him on more svelte ground esthetically , even if the story feels like a solid continuation of his anterior piece of work . The relationship drama between Rosemarie DeWitt and Jake Johnson blossom out to the backdrop of an eery mystery involve a gun and a off-white that they witness in their backyard . As Johnson and his booster , includingSam Rockwelland Larson , connect in on the dig for more grounds , relationship secret begin to spill out . Despite its poor 85 - mo running time , there ’s a lot packed intoDigging for Fire , including some absorbing noir - esque element and an unexpectedly screaming supporting performance from Orlando Bloom . The film gratefully deflect most of the man - minor mid - life crisis clichés and instead focuses on the scratchy realities of hold together a relationship through the everyday step of aging .
#6 Just Mercy
Larson reunited with Destin Daniel Cretton for the third time in this biographic dramatic event that unhappily never got the attention it fully deserved in 2019 . establish on his memoir , the report comply Bryan Stevenson , a defense attorney who helped to appeal the execution conviction of Walter McMillan . a man who was wrongly sentenced to dying based on unlawful testimony . Larson engage a smaller but fundamental supporting role , which focuses mostly on the stellar vocation - best carrying into action of Jamie Foxx and Michael B. Jordan . Some critics slightedJust Mercyfor its traditional approach to this kind of biographic material but its savviness lie in its carefully contain directorial vision and a clear - minded agenda focused on justice . A story this important does not need unnecessary addition .
#5 21 Jump Street
Nobody expected the big - screen version of21 Jump Streetto be any goodness . It seemed like it would be yet another nostalgia - driven reboot that rehashed intimate jest to lessen regaining . Directors Phil Lord and Chris Miller , as well as screenwriter Michael Bacall , had other ideas.21 Jump Streetis that rarified revival that simultaneously roll in the hay its reservoir cloth but has enough healthy length from it to do it exactly which part to bemock , vitiate , or outright omit . It ’s a fun nostalgia trip while being a hilarious takedown of all those shopworn tropes that made the originalJump Streetseries such an well-fixed target for the critic and its own star topology . The continuation may be even proficient .
#4 Scott Pilgrim vs. The World
Edgar Wright ’s adaptation of Bryan Lee O’Malley ’s graphic novel series was a major washout upon release despite irrefutable follow-up , but over the yesteryear decade , the movie has eventually found its audience . On top of being a sharply executed reimagining of the cartoon strip , Scott Pilgrim vs. the Worldis a fascinating metatextual story of how popping culture shapes our lives and ideas , specially for the generation bind in - between Gen X and millennian uneasiness . A.O. Scott ofThe New York Timescalled it"the best TV game movie ever made " and , semantics aside , he ’s not wrong . Wright ’s wielding of cinematic , comic book , and gaming aesthetics into a dynamical and cohesive whole has never truly arrest the cite it merit . Among its ceaselessly energising hardening - pieces are a host of scenery - stealing performances , of which Larson is one . In the current age of superhero cinema where comic book movies are a dime bag a XII , Scott Pilgrim vs. the Worldstill place upright out as one of the genre ’s best .
#3 The Spectacular Now
One of many indie movies that point the arrival of a new genesis of doer , The Spectacular Nowsaw Larson take a supporting role alongside Shailene Woodley and Miles Teller as all three were on the cusp of major stardom . The get along - of - age drama finger very much cut from the same cloth as stories likeSay AnythingandThe Perks of Being a Wallflowerin that it is a sincere fib of the endangerment of adolescence that is mercifully bereft of condescension . The account may tread some familiar territory but there ’s a actual rawness to this picture show that feels at the same time timeless and precisely of - the - moment . Larson polish even though the film to the full belongs to Teller and Woodley , and the untested trio more than hold their own against conversant faces like Bob Odenkirk and Jennifer Jason Leigh . In the current age of teen moving picture , The Spectacular Nowdeserves to be up there with the the like ofBooksmartandEdge of Seventeen .
#2 Room
inspire by the true story of Elisabeth Fritzl , Emma Donoghue ’s novelRoombecame a publication phenomenon in 2010 . The film adaptation did the near - inconceivable in accurately conveying the novel ’s painful claustrophobia and that key tension between the story ’s awful set - up and the endearing innocence of its point - of - view , a story told by a unseasoned boy who does not know or realise the darkness of his lifespan . None of this would work without Larson , who completely deserved her Oscar for this carrying into action as a woman who is at the same time age by her trauma and stuck in a state of collar development thanks to her year of isolation . What fall through is Larson ’s restraints . Given the material , her performance so easily could have been an eternal array of screaming and showy monologues , the likes of which make for perfect Oscar clips . Larson , however , keeps so much of her rage and confusion bottle up while still in full express the turmoil of trying to defend a glad facial expression for her young son . Her chemistry with youthful Jacob Tremblay , who play her boy , is deftly emotional and untoughened in a style that keenly avoids cloying sentimentality . Roomis not an easy cinema to recommend for obvious reasons but watching Larson and Trembley united in their dark , it ’s also insufferable to look off from .
#1 Short Term 12
reckon back onShort Term 12 , the drama feels much prescient about the futurity of Hollywood . Not only did it convey Larson to the critical masses but it precede many to the the like ofLakeith Stanfield , Kaitlyn Dever , andRami Malek . A whole generation of top act talents unify for this stupefying and heart - wrenching play and it devote off to become not only Larson ’s best movie but easily one of the best in all of those doer ’ filmographies . Larson play the supervisor of a group home for troubled teenager trying desperately to wangle her own life while ensuring the safety and security measures of the vulnerable adolescent left in her forethought , all but abandoned by the system . Director Destin Daniel Cretton work a signally experience - in quality toShort Term 12 , making this cramped space and its dweller feel wholly part of this creation in a fashion that is tender but sharply unsentimental . There are moments that finger so multi - superimposed in their authenticity that it ’s almost as if the handheld cameras just swoop in on someone else ’s liveliness without direction or meddling of any kind . It ’s a motion-picture show that somehow finagle to get out you emotionally wring out while bid real hope and never sacrificing the truth of each emotion .
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