Doctor Strange In the Multiverse of Madness
Warning : This article contains spoilers forDoctor Strange in the Multiverse of Madness .
Sam Raimi ’s long - awaited MCU first appearance , Doctor Strange in the Multiverse of Madness , has finally arrived in dramatic art , and just as sports fan had trust , it ’s a Raimi moving picture first and an MCU first appearance second . On top of being a blazing , action mechanism - pack Marvel superhero epic , it ’s as much of a Sam Raimi flick as anything from the theater director ’s filmography . It has the pathologic humor of theEvil Deadmovies , the gonzo PG-13 frisson ofDrag Me to Hell , and the eye - popping comic book action of theSpider - Mantrilogy .
interview who worried that the MCU ’s house style would tone down Raimi ’s signature ocular panache can reside easy . TheDoctor Strangesequel is Raimi ’s Raimi - est film in class .
Splatstick
Raimi re-introduce his preference for “ splatstick ” – the oddball combination of gory violence and slapstick humor – within a few minutes ofMultiverse of Madness . After America Chavez is chase after through a vena portae to Earth-616 by an devilfish devil , Strange rips out its orb .
Wanda seal Black Bolt ’s lip shutand forces him to put down his own head . unusual ride his own zombi embodiment clay into the final struggle on wings made of malefic demonic spirits . In the final shot of the movie ( the pre - credits share of the movie , anyway ) , he grows a third eye in his forehead .
Frenetic Camera Movements
The MCU ’s cinematography is often accuse of using suave telly - like camera angle to fit the mostly greenscreen - based filming style . Mercifully , Multiverse of Madnessis chock full of Raimi ’s signature swooping , up-and-coming , engage camera motion .
Raimi has been renowned for his phrenetic camerawork since he chased Bruce Campbell with a homemade Steadicam inThe Evil Dead . Multiverse of Madnessmaintains the same spirit with an abundance of whiplash pans and crash rapid climb .
Goofy Humor
Raimi is just as famed for his zany good sense of humor as his gruesome repulsion imagery . Multiverse of Madnessis satisfy with Greco-Roman Raimi jest . foreign curses a pizza - musket ball vendor to keep punch himself in the face for three weeks .
America Chavez dryly kick about different alternate realities . When they ’re captured by the Illuminati , she says , “ This universe sucks ! ” foreign kick the bucket into the final battle by embodying his own corpse and dragging himself out of his grave .
Morbid MacGuffin
Almost every MCU movie has a MacGuffin – Thanos went around the creation collecting six of them inInfinity War – butDoctor Strange in the Multiverse of Madnessmight have the franchise’smost frightening MacGuffin to date : the Darkhold .
This Holy Scripture of malicious spell is a well - experience staple of the Marvel universe , but it also feels like a callback to the Necronomicon from Raimi’sEvil Deadmovies . And that ’s not the only ghoulish MacGuffin from Raimi ’s filmography ; there ’s also the cursed release inDrag Me to Hell .
Dutch Tilts
Dutch contestation are a staple of camp cinema , so it makes sense that this tv camera trick is a favorite of Raimi ’s . The director often uses off - kelter frame to unsettle the audience .
InMultiverse of Madness , Raimi utilizes a bunch of his trademark Dutch Angle to make a sense of dread around the seemingly unstoppable Scarlet Witch when she ominously come on her superhuman targets .
Music By Danny Elfman
Danny Elfman is Raimi ’s go - to composer . He ’s provided the musical backing for most of Raimi ’s movie sinceDarkman . They took a break from their quislingism afterSpider - Man 3 , but they ’ve since reunited forOz the Great and PowerfulandDoctor Strange in the Multiverse of Madness .
Elfman’sDoctor Strangescore might be the most memorable and masterfully craft original mark in the MCU to date , wage the audience with piercing sounds on every jump scare and cacophony sounds on every nous - bending twist and ferment .
Demonic Hallucinations
Raimi like to torment his characters with torturous hallucination of diabolic forces . These horrifying sequences can be found in Raimi ’s horror hits , likeDrag Me to Helland theEvil Deadmovies , but they can also be seen inDoctor Strange in the Multiverse of Madness .
When Strange dreamwalks into his original universe , he ’s taken to a dark , bloodcurdling world of handsy demon and experiential brat .
Shooting From The Monster’s Perspective
Some horror filmmakers sprout from their protagonist ’s position when the monster attacks , so they can theoretically put the audience in the protagonist ’s shoes and make the terror of the monster finger more splanchnic .
Raimi manages to create visceral terror with the exact opposition : guessing taken from the advancing monster ’s view . InMultiverse of Madness , there are a clustering of P.O.V. shots of the souls of the blamed as they assail Strange , Wanda , and Christine .
Shamelessly Bizarre Tone
All of Raimi ’s movies have a bizarre tone that audiences either love or hate . The director relishes the discomfort of juxtaposing unsettling imagery with a wacky comedic sensitiveness .
Multiverse of Madnessbrings a delightfully Lovecraftian angleto Raimi ’s touch surrealness as the music director explore gobs of parallel cosmos ( including one universe in which everybody is made of key ) .
Bruce Campbell
Ever since starring asAsh Williams in Raimi ’s low - budget debut feature of speech , Bruce Campbell has played a small function in just about every one of the managing director ’s film – including three separate character reference in theSpider - Manmovies – so it was scarce surprising when Campbell bulge out up inMultiverse of Madness .
When Strange and Chavez descend in a slightly familiar realness , Campbell trifle a pizza - Lucille Ball vendor who confronts the wizard and accuse him of slip a dead superhero ’s cloak . unknown curse this pizza pie - ball vender to punch himself in the boldness repeatedly for three weeks . In the post - credits scene , it finally give up and an elated Campbell tells the tv camera , “ It ’s over ! ”
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