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pandemic , natural disaster , and terrorist tone-beginning often play up the motive for of the essence workers – whether they be stoker , doctors , or cashiers at the local grocery store . At fourth dimension like this , those who work in other subject area may finger out - of - position , even guilty for not being capable to fulfill a similar role . Nevertheless , all workers have their role to play in society – andDC Comicsactually count in on this in a short comic issue after the 9 - 11 terrorist attack .
The attack saw an natural spring of support from the creative person community , admit several notable names like Will Eisner , George Perez , Dennny O’Neil , Jim Lee , Neil Gaiman , and Brian Vaughan . Several of these artists , writers , inkers , and comic creators came together to create9 - 11 , a two - volume anthology publish by Dark Horse andDC Comicsof dissimilar news report reflecting the spirit and sentiment experience after the World Trade Center was destroyed in a terrorist attack . All the artists and writers donated their metre and workplace , and continue from the sales event of the anthologies conk to several backup man funds including The New York State World Trade Center Relief Fund , Survivors of the National Campaign Region , The September 11th Fund of the New York Community Trust , and others .
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The stories themselves diverge greatly in terms of subject matter and approach path . Some focalize on the terrorist attack itself , telling stories from the percentage point of view of civilians , firemen , and politician . Others search more at the concern , doubt and confusion the country felt after the attacks , examining the nation ’s psyche through stories told within the DC Universe or Dark Horse Comics .
One brusque story , however , looked at the place of art itself in times of crisis . Entitled , “ For Art ’s Sake , ” byBrian Vaughan , Pete Woods , and Keith Champagne , the story pursue two DC laughable book artist , a begetter and a boy , who reflect on their position in the world after 9 - 11 . Vince , the son , begins see his oeuvre as frivolous , wonder how relevant fictional superheroes are at a clock time when gild needs existent - life champion to aid those affected in the 9 - 11 tragedy . He even wonders if he should quit being an creative person and become a backup worker or EMT .
Vince ’s father , however , has a different perspective on the issue . Recalling how he also had to contend with such feel after John F. Kennedy was assassinated , he cue Vince that art – whether it be represent by drama , music , or laughable Bible – always has a place in the world to make others think , feel , or even allow them to scarper from the pressures of their life sentence . While he acknowledges that comic Christian Bible artists like him do n’t meet the same kind of persona that firemen or EMTs do , he still feels that artists and entertainer still have an important role to fill . According to Vince :
“ I think it was John Adams who said , ‘ I was a soldier so that my baby could be merchants , so that their tiddler could be artist . ’ Countless Americans have give their life so that we could have the privilege of being poets and musician … and yes , even funny - book pencilers . ”
end by reminding Vince , and the reader , that citizenry ask to find ways to do what they do in the good way , Vince ’s dad reveals he ’s been pencil the very shortsighted report the lector has been revel . It ’s a curt but efficient way of prompt artists and entertainers of the function they can still play in a crisis – whether it be aterrorist onrush or global pandemic . At a time when some have beenquestioning how relevant the superhero musical style is while combatting a virusthat can not be fought like a distinctive supervillain , that admonisher seems more relevant than ever .
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