Jackie Brown
After playing Stealers Wheel ’s soda pop careen hit “ Stuck in the Middle with You ” over a torture prospect inReservoir Dogsand play Chuck Berry ’s “ You Never Can order ” over a terpsichore competition in a ‘ 50s - elan restaurant inPulp Fiction , Quentin Tarantino had become illustrious for the phonograph needle - drop curtain on his soundtracks .
The iconic writer - theatre director ’s third flick , the massively underappreciatedJackie Brown , drop the needle on a caboodle of classics from Tarantino ’s record assembling , featuring the music of such fabled artists as the Supremes , the Delfonics , and Johnny Cash .
“Across 110th Street” By Bobby Womack
When Tarantino set up out to adapt Elmore Leonard’sRum Punchfor the screen door , he vary a few look of the reservoir textile to evoke the classic of the blaxploitation genre . Pam Grier ’s casting is Tarantino ’s most obvious nod to the blaxploitation genre , but he also includes Bobby Womack ’s title of respect song from the Yaphet Kotto - star hitAcross 110th Streeton the soundtrack .
Womack’sAcross hundred-and-tenth Streettheme plays doubly in the movie : at the very root and at the very end . It plays overJackie ’s trip across the airdrome ’s move walkwayin the possibility dig and plays over Jackie driving away from Max in the final shot ( in which she sings along with the lyrics ) .
“Strawberry Letter 23” By The Brothers Johnson
The Brothers Johnson ’s “ Strawberry Letter 23 ” had already been sport on a dissimilar Tarantino soundtrack before its appearance inJackie Brown . A few ginmill of the strain can be heard damp by a closed apartment door inPulp Fiction , but the song plays in all its halo inJackie Brown . It plays on Ordell ’s car wireless when he convinces Beaumont to get in the trunk , then drives to a discerning location and kills him in there .
There ’s an unnerving juxtaposition as the diegetic song cuts out when Ordell turns off the engine so he can get out of the car and frivol away Beaumont idle . The track then resumes like nothing happened when Ordell turn the engine back on , the wireless post tunes back in , and he drive off to discard of the body .
“Inside My Love” By Minnie Riperton
The genius ofJackie Brown ’s statute title character is that she anticipates the gun runners and ATF factor undervalue her intelligence and use that leveraging to play them both against each other .
Ordell first starts to make that he may have underestimated Jackie when he meets her in a streak and she tell him that she ’s brought the ATF into the situation . Minnie Riperton ’s soulfulness classic “ Inside My Love ” can be heard play in this bar .
“Tennessee Stud” By Johnny Cash
Tarantino must be a grownup fan of Johnny Cash , because the nation legend ’s medicine has appeared in a couple of his soundtrack . Budd can be heard listening to “ Satisfied Mind”in his lagger when the Bride plot her ill - fated ambush in the desert inKill Bill : Volume 2 .
Jackie Brownfeatures Cash ’s cover of the Jimmy Driftwood classic “ Tennessee Stud , ” calculate to be Driftwood ’s most covered song . Ordell listens to the cart track – whose lyrics concern an impressive horse – while sitting in his cable car before attempting ( and , gratefully , fail ) to obliterate Jackie .
“Baby Love” By The Supremes
Tarantino played Vanilla Fudge ’s psychedelic screen of the Supremes ’ “ You Keep Me Hangin ’ On ” over the massacre of the Manson Family in the blood - dowse coda ofOnce Upon a Time in Hollywood . This Sung dynasty sets the gross gonzo tincture forTarantino ’s cartoonishly blooming alternate history . More than two X before he included a Supremes screening inOnce Upon a Time , Tarantino included the original Supremes interlingual rendition of “ Baby Love ” inJackie Brown .
After Louis gets out of prison , Ordell direct him to his friend Simone ’s sign of the zodiac to look out her show . This turns out to be a choreographed dance set to “ Baby Love . ” Ordell calls in the middle of the functioning and inquire what Louis thinks ; he ’s complimentary about Simone ’s dance .
“Street Life” By Randy Crawford
Recorded by malarkey ring The Crusaders but most renowned for Randy Crawford ’s vocals , “ Street Life ” toy on the wireless when Jackie is drive to the “ for genuine ” money exchange . The funk sound of the birdsong and Crawford ’s confident song set the perfect tone for Jackie to go into the shopping mall and cleanly put to death her meticulously design bivalent - cross .
This birdsong was after used by the showrunners ofBetter Call Saul , mayhap as an homage to its use in a offence play circumstance inJackie Brown . In theBreaking Badspin - off , “ Street Life ” plays over a montage of a tracksuit - robe Jimmy McGill sell stolen cell phones to petty outlaw .
“Didn’t I Blow Your Mind This Time” By The Delfonics
The most memorablemusical moment inJackie Brown – and one of the most memorable musical moments from Tarantino ’s whole calling – is a actual needle - drop . When Max add up over to pick up his gun , Jackie plays the Delfonics ’ “ Did n’t I Blow Your Mind This Time ” on her record player .
This leads into a whole conversation about the Delfonics that have up as one of Tarantino ’s strongest dialogue scenes . Jackie and Max bonding over the band instance one of the hallmarks of Tarantino ’s idiosyncratic conversation : pop culture as a share words between stranger .
NEXT:10 Best Songs In Pulp Fiction
