21 Jump Street
Generally , when reboots of retro TV show go down , they ’re not popularly received by critic or audience . The A - Team , CHiPS , and even the more polishedMiami Vicefilms all were released to underwhelming box office result or decisive response . However , when Phil Lord and Chris Miller hopped on board a escaped adaption of the later 80s series21 Jump Street , they and writer Michael Bacall managed to make a mod classic comedy film .
Then , a sequel was greenlit and it received equal , if not greater , eclat by critics and audiences likewise . So , which of the two cinema is stronger ? Perhaps it ’s up to personal predilection , but here are five points for each film ’s big strength .
21 Jump Street: The Starter
visualise as21 Jump Streetwas the first movie , it has the natural vantage of being the originator for jokes that22 Jump Streetwould repeat and mock , and likewise , the entire story and setup is established in the first moving-picture show .
The fact that a film come first or did something first does n’t make it better , but the accomplishment of making an origin film and experience to do the groundwork effectively is an impressive feat . in general , sequels can just take off immediately without having to worry about introductions and backstory , so they waste no time .
22 Jump Street: Running Gags
While sequel diminish into two territories ( being worse or being better than their predecessors),22 Jump Streetis self - mindful of the fact that it ’s a somewhat unnecessary sequel that is re - hashing the patch of the first film and it take full advantage of that , using what should have been a weakness into its greatest durability .
It allowed the film to roleplay with the audience ’s arithmetic mean , avoiding subsequence tropes or executing trope in a clever fashion , and bringing back jape or callbacks to the first film in afresh way .
21 Jump Street: Brie Larson
In bothJump Streetfilms , Schmidt ( Jonah Hill ) ascertain a quixotic stake while work undercover . In the first cinema , it’sMolly , played by Brie Larson . Molly is a student at the gamy school Schmidt and Jenko ( Channing Tatum ) must infiltrate to get to the root of a drug problem . Molly is resistless charismatic and charms Schmidt , but the problem is that she ’s too young for him and Schmidt is a fuzz .
Many witty scene emerge from the awkward situation and act as a great inducement for Schmidt ’s arc , and likewise , a luck of genuinely odorous and brooding moments can come from the conniption with Molly in an otherwise downright mad pic .
22 Jump Street: Amber Stevens
While Molly is a great addition to the first film , her spiritual replacement , Maya ( Amber Stevens ) , is even good . Amber is a bit more involved in the plot of the pic and is really more practicable as girlfriend material for Schmidt .
She also is the subject of one of the best punchlines in both film , in an immensely substantial and incredible reveal .
21 Jump Street: The Opening
Despite being the first film,21 Jump Streetwastes no time in getting its plot break . The opening move of the film quickly fix up Jenko and Schmidt ’s friendship and backstories , and how they come to be police force military officer .
The picture show does this with plenty of gags while doing so , but still manages to cram in a passel of decisive dialog to ready up the level . Within just minutes , the stage is set .
22 Jump Street: The End Credits
22 Jump Streethas something that many movies do n’t have : a spellbinding end course credit segment . Generally , the end credit are just the end of the film , and perchance a post - credits scene will bulge out up after the audience endures the black text for a few minutes . But22 Jump Streetdoesn’t just have flashy and fun goal credits , they ’re sort of a part of the film and a peachy ego - deprecating montage ofpossible sequelsand spinoffs for the franchise .
Amazingly , despite the madness and fatuity of the spinoffs presented in the montage , there was really aMen in BlackandJump Streetcrossover film in the work ( according to the infamous Sony nag ) that was to be titledMIB 23.Sequeltalks or spinoffs are still possible , but no matter the outcome , the multiple possibilities showcased in the end credit of22 Jump Streetare reasonably satisfactory .
21 Jump Street: The Action
As a pal pig activeness - comedy film , it ’s only innate that21 Jump Streetwould feature a few action pieces worthy of thebig - screen handling . And while there are quite a few great segments , such as the climactic shoot - out or the opening arrest , the best is by far the 2nd act railroad car Salmon P. Chase .
Everything comes together brilliantly in the crazy freeway Salmon P. Chase that ensues after Jenko and Schmidt run into their main suspect and a bike mob from the flick ’s opening move . And likewise , everything that could go unseasonable does go incorrect , and it drastically alters the class of the film with the effect , typeset up big stake and moving the plot forward , while still presenting an engaging action chronological sequence .
22 Jump Street: The Comedy
Despite both plastic film being very chock-a-block - full of gags,22 Jump Streetseems to ( rather suitingly ) have twice the amount of humor infused into the motion picture . It ’s potential because it ’s so self - deprecating and nonsensical that it can get away with more , specially as it ’s a sequel to a extremely successful film .
Jenko and Schmidt ’s friendly relationship is also played for laughs in that it function more like a romantic human relationship ( the ultimate " bromance " ) and the emotional " break up " view is n’t charter seriously at all , unlike the falling out in the first film .
Related : Why Brie Larson Did n’t refund For The 21 Jump Street continuation
21 Jump Street: The High School Tropes
Along with harness police film tropes,21 Jump Streetplays on a raft of high school movie tropes ; Jenko and Schmidt are too onetime to be infiltrating a gamey schooling ( and much of the cast is too onetime to be playing high schoolers ) , the jock is in reality not as pop as the nerd , everyday intimidation is n’t really acceptable , they both had prom drama , among many other plays on typical repetitive image .
The flick utilizes and tackle almost all of them , but ensures to reverse them on their mind so as to dally off of the ridiculousness and liberty of them for laughs .
22 Jump Street: The College Tropes
Just like its predecessor,22 Jump Streettackles the done - to - death college film tropes , and of course , many of them overlap with the high schooltime moving-picture show tropes .
This time around , the jock has a bit of a step up in some fields , the age is another laugh ( though not as distracting , as college can have student of all ages ) , frat parties are a critical plot point , the anti - social societal butterfly grouping are mocked , and much more all get their due , along with the gonzo fact that college is for field at the end of the daylight .
NEXT:10 Best Channing Tatum Movies ( fit in To Rotten Tomatoes )
