Rushmore
Wes Anderson stick with up his critically acclaimed but commercially disappointing entry feature of speech , Bottle Rocket , with a similarly quirky comedy that likewise became a cult classic after a lustreless boxwood agency ladder . Rushmoreis a deadpan come - of - age jewel about a precocious 15 - yr - old and his older industrialist acquaintance who both flow in love with the same teacher at the titular individual school .
All the now - intimate assay-mark of Anderson ’s filmmaking – from slow apparent motion to quirky costume design to needle - drops on the soundtrack – were already clear as daylight in his second feature .
Deadpan Humor
Anderson ’s movies are tragicomedies that take the air the fine stemma between screaming and heartbreaking . Going back toBottle Rocket , the humor of Anderson ’s movies has always been delightfully deadpan .
InRushmore , Jason Schwartzman brings a hysterically dry pitch way to wrinkle like , “ Your mind ’s as falsify as your ear . ” Arguably the funniest example is when Miss Cross ’ date enounce , “ These are O.R. scrubs , ” and Max obnoxiously quips back , “ Oh , are they ? ”
Needle-Drops On The Soundtrack
Anderson often use original scores – including inRushmore – but he ’s also renowned for dropping the needle on authoritative songs throughout his movies . The Darjeeling Limitedhas three Kinks songs , Fantastic Mr. Foxhas three Beach Boys birdcall , andThe Life Aquatichas a bunch of Portuguese - language Bowie enshroud .
TheRushmoresoundtrack mostly utilizes hits from the “ British Invasion ” era of the ‘ 60s and ‘ 70s , featuring such creative person as The Who , John Lennon , and the Rolling Stones .
Bill Murray
Owen Wilson is the role player most closely relate with Wes Anderson , because he crop with the director from the very start and he co - write his first few movies . But a close second is Bill Murray , whose deadpan delivery style and understated nuance are perfect for the Anderson cinematic cosmos .
RushmoremarkedAnderson ’s first collaborationism with Murray , and the role player has appeared in all of Anderson ’s films since . He ’s play lead roles ( Steve Zissou ) , smaller supporting roles ( Raleigh St. Clair ) , and scene - slip bit parts ( the guy who miss the train inThe Darjeeling Limited ) .
Quirky Costume Design
One of the most typical facet of Anderson ’s visual style is his use of quirky costume design . Chas , Ari , and Uzi Tenenbaum all wear equal red tracksuits . Steve Zissou and his crew all bear match red beanies . Richie Tenenbaum hide his case behind a headband , a pair of sunglasses , and a whiskers .
There are plenty of iconic , idiosyncratic wardrobe choices inRushmore . Max wears a red beret and a boatload of colourful vintage cord , while Herman wears Budweiser swim automobile trunk to a pool party .
Precocious Children
Precocious child can be found in many of Anderson ’s films . Anthony ’s little baby is smarter and more matured than he is inBottle Rocket . Moonrise Kingdom ’s Sam and Suzy are likewise wise beyond their years . The Royal Tenenbaumsis all about what happens when child prognostication grow up and go through a corporate mid - life crisis .
Considering it ’s name after a esteemed academy for gifted children , Rushmorehas a fairly eminent quotient of Andersonian precocious kid . Max Fischer is a 15 - twelvemonth - sometime who can negotiate with industrialists , pen and guide a hit play , and plan the mental synthesis of an aquarium .
Futura
Although it has n’t appear in many of his more late film , Futura used to be Anderson ’s favored font . It ’s usually the case used for the first step credit entry and chapter titles in Anderson ’s film .
InRushmore , Futura is used in all the subtitle detailing Max ’s adulterous endeavors . While the baptistery itself can be realize in many of his cinema , Anderson often meddle with the line height , letter spacing , and text alliance from movie to pic .
Slow Motion
From Martin Scorsese to Zack Snyder , many auteur include a plenty of slow motion in their stylized visuals . It ’s one of Anderson ’s favourite visual tricks . Slow movement is deep cinematic , particularly when it ’s paired with the perfect acerate leaf - drop .
There ’s a ton of slow apparent motion inRushmore . Anderson shoots in slow gesture when Max walks onto the leg to the literal - metre sound of thunderous hand clapping at the end of his “ reach free rein . ” The final terpsichore also plays in slow motion while the Faces murder “ Ooh La La ” dally at even speed .
Grief
The tragic side of Anderson ’s tragicomedy tends to manifest itself as sorrow . InThe Darjeeling Limited , the brothers mourn the loss of their begetter . InThe Life Aquatic , Steve mourns the loss of his right friend Esteban ( and by and by his alienated son Ned ) . InThe Royal Tenenbaums , Chas has become obsessed with his family ’s safety in the months since his wife died in a carpenter’s plane crash .
InRushmore , Max mourns the loss of his female parent while Miss Cross mourns the loss of her hubby . As Max bluntly points out , “ I guess we both have dead hoi polloi in our families . ”
Love Triangle
Max , Herman , and Miss Cross make upthe original Wes Anderson love triangleinRushmore . Love trilateral have since become a fall back plot percentage point in Anderson ’s films .
This trope can also be seen in Richie , Margot , and Eli ’s active inThe Royal Tenenbaumsand Steve , Ned , and Jane ’s active inThe Life Aquatic . In each case , Anderson has used the suitor who turn a loss out ( Max , Richie , and Steve , respectively ) to highlight the vileness of green-eyed monster .
Comically Unsympathetic Protagonist
There ’s a general rule of quarter round in screenwriting that the protagonist has to be likable so that the audience will steady down for them . But there are exceptions to this rule . virtuously equivocal antihero like Travis Bicklecan be even more compelling than traditional protagonists , and in a comedic context , an unsympathetic tug can sometimes get the biggest laugh .
Anderson has always had merriment putting comically unlikable , unsympathetic characters like Max Fischer , Royal Tenenbaum , and Steve Zissou through the ringer .
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