Dinner for Schmucks
After a memorable halftime functioning at the Super Bowl , Mary J. Blige was latterly herald as the executive producer of a new movie entitledReal Love , inspired by her first hit exclusive of the same name . A huge will to any birdcall ’s ethnical impact and popularity , Blige is not alone in having her euphony turned into a feature - length plastic film .
Many creative person can say they sport in or give their names to a motion picture , but few can exact to be the central creative seed from which an entire narrative spawn or a movie is make . queer , compelling , and uncanny moving picture abound , owing their originative inheritance to great songs - the best of which can incorporate the music ’s themes and intone intimately into their own .
Alice’s Restaurant (Alice’s Restaurant Massacre - Arlo Guthrie)
Arlo Guthrie ’s 18 - minute spoken - word rhapsody was begging to be turned into some form of story work – a immense make-up that presents an absurdist account of the American justice organisation , and freedom . Director Arthur Penn compel , conform the songinto a feature - length film with Guthrie playing himself .
The call state the tale so foursquare that it is well-heeled to see how the movie transcribes this into its own secret plan . Simultaneously , however , the absurdism , silliness , and humor of Guthrie ’s original song shine through in the retelling . The motion picture captures a lot of the themes of disproportionate consequences and try on to be self-directed in a foreign beau monde while maintaining the same dark sharpness of its inspiration .
Across The Universe (Across The Universe - The Beatles)
Across The Universeis a Sung dynasty about the transcendental nature of life and the oneness of being , inspiring a homonymous 2007 romantic - comedy film . Though the film have many Beatles tracks , Across The Universewas the central musical theme of the movie , around which both the plot of land and euphony revolve .
read a dearest strain to the creation into a personal story about the struggles of a group is compelling . However , what make this movie truly special is the preponderance of Beatles medicine and book of facts within the plot - present a path through the entire Beatles catalogue through the anthological themes create in the story of the birdsong .
The Gambler (The Gambler - Kenny Rogers)
An example of the picture show and euphony industriousness crossing over was 1980sThe Gambler . Like the Kenny Rogers song from which it is inspired - the movie create themes of life , passion , loss , and the doctrine of analogy that poker and gambling have to wide creation as a human being .
Though the song does lend itself to a movie , the business organization aspects of cash in on a Brobdingnagian smash should also be consider . In fact , the film ’s full title isKenny Rogers as The Gambler , an meter reading of output studios want to capitalize on both the musical talents and famous person of Rogers . These feat were successful , as this vocal unbelievably spawn an entire franchise of five unmediated - to - television set movies .
Dinner For Schmucks (A Fool On The Hill - The Beatles)
When Jay Roach ’s misfit - satiate comedy was released , Beatles devotee were shock : The original recording ofA Fool On The Hillplays over the opening night credits , a huge exploit , give the exclusivity of music certify around the Fab Four ’s euphony . The plot is based generally on the French filmLe Diner de Côns , but the Beatles ' striking is central to its livery .
To rarify : Roach squall Paul McCartney himself , to beg the use of the vocal , building on a filmography of drawing inspiration from the Liverpool quaternary ( ie : theA Hard Day ’s Nightinspired the directing of theAustin Powerstrilogy ) . Compelling here is not just the obviousimportance of The Beatles in Roach ’s movies , but also the subtle ways thatA mark On The Hilltouches the esthetic and tone ofDinner For Schmucks .
Factory Girl (Factory Girl - The Rolling Stones)
The Rolling Stones ' ballad is aboutwildly contrasting aspects of quixotic family relationship , inspiring the identically named 2006 picture show about the fiery relationship between pop - ikon Andy Warhol and Edie Sedgwick . Sienna Miller plays Sedgwick in a performance spanning the totality of the relationship .
The adaption , however , is more than a conceptual carry - over – the song is used as an embodiment of the fundamental gist of the moving-picture show , contribute together true historical effect into a cohesive story on the themes of diametrical - opposite individuals in a romantic relationship . Factory Girl(the strain ) thus correspond a guidebook to the picture and its contents , as well as its key theme .
The Indian Runner (Highway Patrolman - Bruce Springsteen)
Sean Penn ’s directorial unveiling wasbased on the Bruce Springsteen song , Highway Patrolman , a tale of two brothers who go far at a compromising situation on either side of the law . Penn ’s movie recreates the patch with extra details , delivered by an all - star roll ( Viggo Mortensen , Sandy Denis , and Charles Bronson ) .
What makes the adaption compelling , however , is the way it mixes its inhalation with Penn ’s own esthetic permit ( with themovie , and the Bruce Springsteen workdeviating significantly at points ) . Through the directorial reinterpretation of a birdsong , we are able to sympathize not just Springsteen ’s work ; but also what it stand for to Penn , and how he relates to the song deep enough to create a pic about it .
Ode To Billy Joe (Ode To Billy Joe - Bobby Gentry)
Bobby Gentry ’s 1967 smash - hitOde To Billy Joebecame the impetus for a ego - title movie adaptation in 1976 . The song tells the fib of a suicide in a small-scale Mississippi township and the subsequent reaction of the local mass . With major plus to the song ’s story , the film was encounter with much tucket , surpassing its budget 20 times over .
The movie version had an interesting evolution , being intimately touch base to Gentry in its production ( with theartist needing assurances her story would be decent take care to ) . The result was a movie close to how the songster envisioned the fib , even going further than the song in the path it look to address the many questions the Song dynasty puts forward .
The Hitcher (Riders On The Storm - The Doors)
1986’sThe Hitcherwas an early project for author Eric Red . The 2.5 - hour thriller centre around a chilling hitchhiker who stalks a untested humans across West Texas . The inspiration for the movie , however , was The Doors ' classic , Riders On The Storm , which Red take heed to while beat back across the States . His hold of the song ’s cinematic elements put a thought in the writer ’s mind , spawningThe Hitcher .
Fascinatingly , The Hitcheris an example of a motion picture taking shape entirely through the kinship between generator and strain – not simply lifting a narrative from the floor , but trying to elaborate on how the strain made him experience . From the sedately dramatic rain sound to Jim Morrison ’s celestial and unembodied storytelling , The Doors ' song shines throughin the esthetic , content , and tincture ofThe Hitcher -showing how interpretive song - to - movie adjustment can be .
The Night The Lights Went Out In Georgia (The Nights The Lights Went Out In Georgia - Vicki Lawrence)
A tale of media cross - pollination isThe Night The Lights go Out In Georgia , the 1981 melodious drama guide by Ronald F. Maxwell ( and star a young Mark Hamill ) . The movie acquire brainchild and its title from the 1972 Vicki Lawrence song of the same name .
The film ’s production is rife with ill-tempered - medium features : though based on Vicki Lawrence ’s song , the movie also bluster its own rendering of the track , re - recorded with reworked words to accommodate into the film ’s plot . This hopping from medium and version make for a truly interesting spell of celluloid and music story , showing how even original seed fabric can be make over for the determination of the art that it inspires .
Brazil (Aquarelo Do Brasil - Ary Borroso)
Among films pep up by music , Brazilis special . The 1985 Terry Gilliam feature takesinspiration from the birdsong Aquarelo Do Brasil- a vibrant Brazilian folk ballad about the country ’s wonders - to make a dark comedy about a dystopian , hyper - bureaucratic society ; and the human relationship between person and state .
What makesBrazilremarkable ? The fact that its secret plan and content are thematically antipathetical to the song , and yet undeniably still revolutionize by it . The title tracks ( original and movie re - recording ) are used to highlight the disparity between the human yearning of the picture show ’s characters and the realism of their options . Gilliam ’s vision of the future is dusty and unthinking , while the strain shows the movie ’s characters through glimpses of life and humanity .
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