Any good melodious , point , film , animate , or otherwise , need to have at least one vocally endue villain . Not only are musical villains often coveted character desired by performers and dramatic art fans alike , but their ability to habituate muscular song and oodles to express their evil . Fiendish , frightening , and ( permit ’s face it ) merriment , the theatrical role of the villain definitely commands deference .

Although there are no small theatrical role and only small actors , there are some roles that shine bright than others . So which insidious commander of the stage truly stacks up against the sleep ? Who in truth is the most menacing master of tune ?

Macavity The Mystery Cat (Cats)

For a moment , let ’s make that theunsightly CGI abominationof a moving picture adjustment never existed and use the original Andrew Lloyd Webber musical as credit .

Macavity , though not the largest function on the listing , command a certain firebrand of attention . Though he appear only shortly in the show , his reputation and hidden presence is something worthy of recognition . Plus , it ’s not easy to make a skin - tight catsuit and make-up look intimidating .

King George III (Hamilton)

Though the true baddie of the story is grueling to pin down , the classic entertain melodic villain crown has to go to King George . Smarmy , snooty , and over - the - top , his loftiness is exactly what one wants when they think of a melodic villain .

Shameless of his misdeeds , he ’s prepared a catchy minuscule diddy about how much he enjoys what he does . The fact that " You ’ll Be Back " take the form of a Beatles - urge detachment vocal only sweeten ’s the pot .

Audrey II (Little Shop of Horrors)

He ’s a big green female parent from outer space and he is bad , he ’s none other than Audrey II from Alan Menken’sLittle Shop of Horrors . This botanical baddie has a rather unsatiable carnivorous appetite , along with some pretty impressive vocal .

It ’s easy to see how a nerdy guy like Seymore was able to fall under his spell with that sort of talks power .

Mr. Hyde (Jekyll and Hyde)

Though the musical is a bit of a cultus classic , there ’s no argument about Mr. Hyde being one of the most unmanageable villain theatrical role ever consider for aBroadway melodious .

Naturally , both Jekyll and Hyde are played in a twofold role by the same histrion , but Hyde is the antithesis of the kind-hearted Jekyll in every way . His predatory nature is utterly capture on phase . particularly with the song " live . "

Hades (Hadestown)

Though a slightly newer addition to the Broadway stagecoach , Hadestown’sadaptation of the male monarch of the underworld is about as cold and cruel as they come .

Part of his ill fame is due to the frozen portrayal by Patrick Page , the other one-half is thanks to his conception as a totalistic ruler in a post - apocalyptic scene . He ’s decidedly one tough act to take on .

King Herod (Jesus Christ Superstar)

On the other close of the spectrum , King Herod represents perhaps the most noted comedic villain in Broadway history . In an ironical twist , King Herod ’s enactment is the comic relief of the yield inspired by the Passion .

In an excited rock opera , " King Herod ’s Song " is a rag number straight out of a vaudeville routine . That is unless it ’s Alice Cooper featured in the persona .

Sweeney Todd (Sweeney Todd: The Demon Barber of Fleet Street)

Who say the villain could n’t be the whizz of the show ?

Sweeney Todd is equal parts terrific and tragic , a role that leaves a bloody trail that drips from his razor as he embarks on his pursuit for payback . While the broadway show is without a incertitude one of the best in Stephen Sondheim ’s career , it ’s theBurtonversion that get the most kudos .

Scar (The Lion King)

If there ’s one Disney villain that was made for the stage , it’sScar . While the animated version belongs in the hearts of fan everywhere , the degree edition gets away with a wad more .

cicatrice on stage is both more comedic and diabolical at the same meter . Not only is he given more expression , but his appetency for wickedness is only heightened by " The Madness of King Scar " where he tries to put the moves on Nala .

Javert (Les Miserable)

It ’s not every twenty-four hour period that a villain is capable to tear one ’s heart in two , but Javert is certainly a up to character .

While Thénandier is easy the more entertaining baddie in the cast , Javert ’s ethics are lawful to a serious fault , but like most unspoiled villain , he ’s the type who does what he does out of a sense of right rather than untimely . His complexity is what make him interesting .

The Phantom (The Phantom of the Opera)

Was there ever any doubt this guy would n’t land the top spot ? He ’s evil yet bewitching , sympathetic yet ominous , and beastly yet beautiful all at the same prison term .

Though he ’s one of the most adapted and reinterpreted characters in all of fabrication , the one everyone and their female parent knows has to be the musical version made illustrious by Michael Crawford . With pipes like that , it ’s impossible not to give up to the Music of the Night .

NEXT : Phantom Of The Opera : 10 Memes That Would Make Even The Phantom Laugh

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Macavity Stage Version

King George III sings in Hamilton

Audrey II 2 Little Shop of Horrors Seymour remake musical

Mr. Hyde Singing

Patrick Page playing Hades in Hadestown

Alice Cooper as King Herod

Johnny Depp and Helena Bonham Carter in Sweeney Todd

Scar on Broadway

Russell Crowe as Javert in Les Miserables

Phantom on Broadway

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