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Any good melodious , point , film , animate , or otherwise , need to have at least one vocally endue villain . Not only are musical villains often coveted character desired by performers and dramatic art fans alike , but their ability to habituate muscular song and oodles to express their evil . Fiendish , frightening , and ( permit ’s face it ) merriment , the theatrical role of the villain definitely commands deference .
Although there are no small theatrical role and only small actors , there are some roles that shine bright than others . So which insidious commander of the stage truly stacks up against the sleep ? Who in truth is the most menacing master of tune ?
Macavity The Mystery Cat (Cats)
For a moment , let ’s make that theunsightly CGI abominationof a moving picture adjustment never existed and use the original Andrew Lloyd Webber musical as credit .
Macavity , though not the largest function on the listing , command a certain firebrand of attention . Though he appear only shortly in the show , his reputation and hidden presence is something worthy of recognition . Plus , it ’s not easy to make a skin - tight catsuit and make-up look intimidating .
King George III (Hamilton)
Though the true baddie of the story is grueling to pin down , the classic entertain melodic villain crown has to go to King George . Smarmy , snooty , and over - the - top , his loftiness is exactly what one wants when they think of a melodic villain .
Shameless of his misdeeds , he ’s prepared a catchy minuscule diddy about how much he enjoys what he does . The fact that " You ’ll Be Back " take the form of a Beatles - urge detachment vocal only sweeten ’s the pot .
Audrey II (Little Shop of Horrors)
He ’s a big green female parent from outer space and he is bad , he ’s none other than Audrey II from Alan Menken’sLittle Shop of Horrors . This botanical baddie has a rather unsatiable carnivorous appetite , along with some pretty impressive vocal .
It ’s easy to see how a nerdy guy like Seymore was able to fall under his spell with that sort of talks power .
Mr. Hyde (Jekyll and Hyde)
Though the musical is a bit of a cultus classic , there ’s no argument about Mr. Hyde being one of the most unmanageable villain theatrical role ever consider for aBroadway melodious .
Naturally , both Jekyll and Hyde are played in a twofold role by the same histrion , but Hyde is the antithesis of the kind-hearted Jekyll in every way . His predatory nature is utterly capture on phase . particularly with the song " live . "
Hades (Hadestown)
Though a slightly newer addition to the Broadway stagecoach , Hadestown’sadaptation of the male monarch of the underworld is about as cold and cruel as they come .
Part of his ill fame is due to the frozen portrayal by Patrick Page , the other one-half is thanks to his conception as a totalistic ruler in a post - apocalyptic scene . He ’s decidedly one tough act to take on .
King Herod (Jesus Christ Superstar)
On the other close of the spectrum , King Herod represents perhaps the most noted comedic villain in Broadway history . In an ironical twist , King Herod ’s enactment is the comic relief of the yield inspired by the Passion .
In an excited rock opera , " King Herod ’s Song " is a rag number straight out of a vaudeville routine . That is unless it ’s Alice Cooper featured in the persona .
Sweeney Todd (Sweeney Todd: The Demon Barber of Fleet Street)
Who say the villain could n’t be the whizz of the show ?
Sweeney Todd is equal parts terrific and tragic , a role that leaves a bloody trail that drips from his razor as he embarks on his pursuit for payback . While the broadway show is without a incertitude one of the best in Stephen Sondheim ’s career , it ’s theBurtonversion that get the most kudos .
Scar (The Lion King)
If there ’s one Disney villain that was made for the stage , it’sScar . While the animated version belongs in the hearts of fan everywhere , the degree edition gets away with a wad more .
cicatrice on stage is both more comedic and diabolical at the same meter . Not only is he given more expression , but his appetency for wickedness is only heightened by " The Madness of King Scar " where he tries to put the moves on Nala .
Javert (Les Miserable)
It ’s not every twenty-four hour period that a villain is capable to tear one ’s heart in two , but Javert is certainly a up to character .
While Thénandier is easy the more entertaining baddie in the cast , Javert ’s ethics are lawful to a serious fault , but like most unspoiled villain , he ’s the type who does what he does out of a sense of right rather than untimely . His complexity is what make him interesting .
The Phantom (The Phantom of the Opera)
Was there ever any doubt this guy would n’t land the top spot ? He ’s evil yet bewitching , sympathetic yet ominous , and beastly yet beautiful all at the same prison term .
Though he ’s one of the most adapted and reinterpreted characters in all of fabrication , the one everyone and their female parent knows has to be the musical version made illustrious by Michael Crawford . With pipes like that , it ’s impossible not to give up to the Music of the Night .
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