Pulp Fiction
Quentin Tarantino established his preference for knock off the acerate leaf on classic strain with his debut movie , Reservoir Dogs . Q.T. ’s first movie open with “ Little Green Bag ” set to suit - clad gangster walk in slow - motion , and later juxtaposes “ Stuck in the Middle with You ” against a agonizing torture scene .
Not only did the soundtrack of Tarantino ’s next picture , Pulp Fiction , finagle to dwell up to sky - eminent expected value ; it ’s now consider one of the most iconic movie soundtrack of all metre . Pulp Fictionhas plenty of memorable medicine moment , like the Jack Rabbit Slim ’s dancing competition .
“Misirlou” By Dick Dale
Dick Dale ’s “ Misirlou”sets the tone forPulp Fictionperfectly , strapping in the audience for a bold , operatic , gamy - energy thrill - ride . It kicks in on the freeze frame when Pumpkin and Honey Bunny stick up the diner in the first step scene .
“ Misirlou ” plays over the first half of the opening credits before being put back by a neighboring radiocommunication post . Tarantino used this surf rock classic because it evoked the rock ‘ n ’ roll spaghetti western vibration he was conk for .
“Jungle Boogie” By Kool & The Gang
Midway through the opening credits , there ’s an unprecedented soundtrack change . After “ Misirlou ” plays over the first one-half of the credits , Jules throw radio set stations and a entirely dissimilar song plays over the second one-half of the opening deed .
Kool & the Gang ’s seventies funk masterpiece “ Jungle Boogie ” marks a radical tonal deviation from the original soundtrack , and sets up the innovation of two new champion : Jules and Vincent .
“Let’s Stay Together” By Al Green
After Jules recites the Ezekiel 25:17 speech and shoot Brett dead , the flick take a breather as Al Green ’s “ Let ’s abide Together ” takes over the soundtrack and crime syndicate Bos Marsellus Wallacespeaks to boxer Butch Coolidge .
Marsellus is essentially enquire Butch to trade his soul , bribe him to take a dive in an forthcoming battle , and the Al Green song helps to put him at ease as his dreams of being a champion are shattered .
“Bullwinkle Part 2” By The Centurions
As shortly as he ’s collected his immediate payment for kill Brett and his roommate , Vincent break down directly to his drug bargainer Lance ’s sign of the zodiac to corrupt some diacetylmorphine . He decide to shoot up at Lance ’s place before driving over to nibble up Marsellus ’ married woman Mia for dinner party .
The curtain raising bass string of the Centurions ’ “ Bullwinkle Part 2 ” blare onto the soundtrack as Vincent takes diacetylmorphine against a stark black background knowledge .
“Son Of A Preacher Man” By Dusty Springfield
Tarantino plays the Dusty Springfield classic “ Son of a Preacher Man ” over the introduction ofthe iconic Mia Wallace inPulp Fiction . When Vincent arrives at the mansion and Mia is still getting ready , she tells him via the intercom to make himself at dwelling house .
The romantic undertones of the call tie into the red-hot romantic tension that brewage between Vincent and Mia throughout the night , despite the revulsion that would await both of them if they had an matter and Marsellus found out .
“You Never Can Tell” By Chuck Berry
Arguably the most iconic musical second inPulp Fictioninvolves diegetic medicine . In the middle of their dinner at Jack Rabbit Slim ’s , Mia spontaneously volunteers herself and Vincent to take part in a dance contest .
They dance to another song about young love , Chuck Berry ’s “ You Never Can Tell . ” This dance sequence is a tasty cocktail of cinematic influence , blending standardized dancing scenes from8½,Bande à part , andThe Aristocats .
“Girl, You’ll Be A Woman Soon” By Urge Overkill
There ’s a real needle - drop curtain when Vincent and Mia get back from Jack Rabbit Slim ’s . Vincent goes to the can and Mia sound over to her record thespian and diddle “ Girl , You ’ll Be a Woman presently . ”
As Urge Overkill ’s binding of the Neil Diamond original invades the soundtrack , Mia breaks into song and saltation and gets swept up in the music – until she find a little bag of white gunpowder in Vincent ’s pelage pocket .
“Flowers On The Wall” By The Statler Brothers
After kill Vincent in his apartment and escaping with the gold watch , whole , Butch sings along to the 1975 translation of the res publica classic “ Flowers on the Wall ” on the automobile radio .
“Comanche” By The Revels
The Revels ’ “ Comanche ” kicks in when Butch cycles through a few weapons in the pawnshop before returning to the basement with a katana to save Marsellus from Zed and Maynard . The bold instrumental sets the stageperfectly for Butch ’s vengeful rampage .
The uprise tempo of the Sung dynasty build up the tension of the scene beautifully as Butch slowly advances on an oblivious Maynard , sword at the ready , and slashes his thorax as soon as he turn around .
“Surf Rider” By The Lively Ones
After Tarantino openedPulp Fictionwith a Greco-Roman surf rock’n’roll track , it was only appropriate to end the picture show on another one . Tarantino throw the needle on the Lively Ones ’ “ Surf Rider ” just as the climactic diner stick - up is settle .
After bilk the looting ( but only saving their own pocketbook ) , Jules and Vincent put their guns back in their waistbands and maneuver for the door . Vincent gag , “ I think we should be get out now , ” and Jules replies , “ Yeah , that ’s probably a beneficial idea . ”
NEXT:10 Tarantino Trademarks In Pulp Fiction
